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The women who brought down Burger Records | Arts & Entertainment

becker blake



[BC-MCT-ENTERTAINMENT-BJT] | Arts & Entertainment

LOS ANGELES — Casey Redd was 14 when she began going to shows put on by popular indie-rock label Burger Records. The concerts, featuring contemporary garage and punk bands, were often all-ages, and a swell of excited teenage girls would be in attendance.

Three years later when Redd was 17, she says Phil Salina, the then-29-year-old singer of the Portland-based goth-pop duo Love Cop, had sex with her in the back seat of her car. He told her to meet him at the far corner of the parking lot at the Burger Records store in Fullerton, she says, then instructed her to drive a few blocks away to a darkened neighborhood where she alleges the statutory rape took place. (The age of consent in California is 18.)

A few days later they again had sex outside of a house show in Pomona, she says.

“I felt confused and violated,” she says, adding that it took time, reflection and therapy to come to terms with what happened to her in 2013. “For years, many years, I didn’t really talk to anyone about it — I felt really ashamed — I felt like it was my fault for engaging with him in the first place.”

She did tell one of her close friends about her sexual encounters with Salina. That friend, who regularly attended Burger Records shows with Redd, corroborated Redd’s story to The Times in a phone interview.

Salina did not respond to multiple requests for comment by The Times.

The Times, however, reviewed texts that Salina sent to Redd after she went public with her accusations. In them, Salina apologizes and expresses remorse, writing, “I won’t ever be allowed to play music again and that is fair.” He also wrote that he didn’t think of their relationship as abusive at the time but that he now understands that it was wrong.

“I will be sorry until I die,” he wrote.

Redd went public with her experience last summer, sharing her story on her personal Instagram page and soon after on a page she created called Lured_By_Burger Records, which posted accusations about men in the Burger scene from other female fans and artists. The page quickly accumulated thousands of followers, spurring online outrage, national media coverage and public apologies from many of the accused musicians.

Within a week, the label ceased operations completely, prompting a long-overdue reckoning about the prevalence of sexual abuse in Southern California’s underground/DIY music scene.

One of Burger’s owners, Sean Bohrman, declined to be interviewed for this story. The other, Lee Rickard, did not respond to a request for comment. But Bohrman acknowledged in an interview with Seattle radio station KEXP after Burger’s collapse that the label — which published recordings by nearly 1,200 bands during its 13 years in existence, in addition to hosting concerts and festivals and running a record shop in Fullerton — did not scrutinize the personal behavior of the musicians with whom it worked. And it’s not clear that management was paying attention to the exploitative sexual dynamics of the scene Burger fostered.

As the allegations emerged, the label issued a statement that read in part: “We extend our deepest apologies to anyone who has suffered irreparable harm from any experience that occurred in the Burger and indie/DIY music scene.”

But the problems did not involve Burger musicians alone. The Times interviewed nearly two dozen women who detailed varying degrees of sexual abuse and harassment by musicians in Southern California’s indie rock scene during the past 15 years.

A number of women spoke on the record; others chose to remain anonymous, either because they feared reprisal or had already experienced it after posting their experiences online.

Their stories about what happened in and around the Burger scene illuminate a broader culture of sexual abuse in Southern California’s underground music world that — more than three years into the reckoning brought by the #metoo movement — has remained largely in the shadows.

Burger Records was founded in 2007 by Bohrman and Rickard, in part to release music from their own band at the time, Thee Makeout Party. Burger championed catchy, homemade power-pop, surf-rock and bubblegum punk. It opened a record shop in Fullerton in 2009 and Bohrman and Rickard lived there, washing their hair under a spigot in the alley and running the label out of the back. The shop soon became a popular gathering spot for music fans.

As Burger grew, the label hosted a slew of popular shows and festivals around Southern California including Burger-a-Go Go, which paid tribute to all-female-fronted bands, and the two-day Burgerama, which annually drew thousands of fans and featured eclectic lineups of dozens of underground garage bands and indie rock giants including Weezer, Ariel Pink, Fidlar, the Spits, Ty Segall, Roky Erickson and Gang of Four.

Burger’s reputation was burnished internationally in 2014 when fashion design house Yves Saint Laurent featured the label’s music in Paris runway shows.

An all-ages ethos was key to Burger’s identity. Young fans, including those in high school, often mingled with older fans and musicians. Many women interviewed by The Times described rampant drug and alcohol use, even at shows where alcohol was not for sale.

The label did not follow a traditional business model. It didn’t sign bands or negotiate contracts. It just reached out to bands it loved and released mostly limited-edition runs of cassette tapes, leaving it to other labels to court the musicians it championed. It also made money from the concerts and festivals that it convened.

Still, Burger’s output was prolific. It’s unusual for a label to release music in such abundance. That volume is partially how Bohrman explained the lack of oversight at Burger in a September 2019 interview with KEXP.

“When I find a band I really like, do I have to ask, ‘Have you raped anybody, and have you done this or that’,” he said. “And then how do you follow up on that and get the full story? That sounds like a nightmare, and that’s not why I got into music.”

At first, Redd felt at home among Burger fans and bands, and in the spaces they occupied. All-ages shows were held in warehouses, the record shop and a large venue called the Observatory in Santa Ana. The Fullerton store was painted a bright key-lime green and featured a highly cultivated sense of graphic design characterized by a zany, cut ‘n’ paste punk aesthetic in bold primary colors (Bohrman minored in graphic design and cranked out the labels’ merch). The store was filled with buttons (“I’m a Burger Girl,” was one), stickers and posters, many featuring vintage-inspired, punk-themed cartoons. There was a back room where musicians, staff and customers sometimes gathered. It felt, say many of the women who hung out there, like a high-school clubhouse.

“In their marketing, they described themselves as perma-teens,” recalls Redd of Burger Records.

Redd says she began to regularly receive messages from some of the men in bands whose accounts she had followed on social media.

When Love Cop’s Salina first reached out to Redd, she was 17. Salina was working as a mental-health counselor in Portland specializing in addiction. Redd’s family had a troubled history with drugs and addiction, and she came to trust Salina. She says they talked nearly every day.

“He knew the trauma that I carried and … my age and vulnerability. It was definitely a grooming relationship,” Redd says, recalling how lonely, depressed and anxious she was at that time. “We would talk about cats and music. He was one of the very few adults I felt seen by.”

Months later, Salina came to Orange County to play a Burger show and invited Redd. It was her first time driving on the freeway when she crossed county lines from her hometown of Corona to Fullerton where she says their first sexual encounter took place.

Afterward, Redd alleges, Salina messaged her often, asking for nudes and sexual photos. For the most part, she ignored him but sometimes she engaged with him, not fully understanding how inappropriate the situation was.

Redd stopped going to Burger shows when she was 18, but at that point she says she already knew several other underage teenage girls who had been abused by adult men in the scene.

“I idolized these people when I was a teenager. I wasn’t able to see things for what they really were,” she says. “It felt like a magical time that turned dark very quickly.”

Redd is now 24 years old. She is a longtime vegan and animal rights activist with a soft but firm voice and a thoughtful, straightforward way of speaking. She says that over the years, not a day went by that she didn’t think about the fact that she was not alone in her experience.

That fact became painfully clear during the summer on July 15 when Clementine Creevy, the frontwoman of Cherry Glazerr, which released its debut album through Burger, posted a statement on Instagram accusing Sean Redman, the bass player of another Burger-affiliated band called the Buttertones, of starting a sexual relationship with her when she was 14 and he was 20. That relationship, she wrote, was also emotionally abusive.

She emphasized, “I want to say with no conditionality whatsoever that THIS IS NOT ATYPICAL OF THE MUSIC SCENE.”

The Buttertones quickly cut ties with Redman, posting a statement on Instagram that read, “We do not condone Sean’s behavior and he is no longer a member of The Buttertones.” The band was still dropped by its label, Innovative Leisure. The Times was unable to reach Redman for comment.

Two days after Creevy’s disclosure, Redd also spoke up — posting on July 17 about her experience with Salina on her personal Instagram account. The following day, Burger Records turned off the comments on an Instagram post after women began writing about their traumatic experiences there. Redd saw Burger’s action as silencing victims, so she created the Lured_By_Burger_Records Instagram page.

Redd’s second post concluded, “If you’re going to sell tickets to children, check your creepy friends and don’t let them in.”

Another post, which a woman who wished to remain anonymous asked Redd to share, read, “I have personally had many poor and inappropriate relationships and interactions with adult men within these scenes when I was a very young teen.”

Similar stories from dozens of women soon began pouring into Redd’s direct message box, she says. Many of the accusations of rape, sexual assault, abuse, harassment and grooming were about Burger bands, and many were about the local underground music scene in general. Redd found herself spending up to 18 hours a day on the site, fielding comments, posts and allegations. She says the experience was emotionally and physically overwhelming.

As scrutiny of Burger intensified, other women spoke out and bands began to fall. Lydia Night, the singer of The Regrettes, accused SWMRS drummer Joey Armstrong (son of Green Day’s Billie Joe Armstrong) of sexual misconduct and coercion, beginning when she was 16 and Armstrong was 22. SWMRS released music through a variety of labels, including Burger. Armstrong posted an apology on Instagram, adding that he didn’t agree with some of the things Night said about him, but that, “it’s important that she be allowed to say them and that she be supported for speaking out.”

Arrow de Wilde, lead singer of L.A. indie rock band Starcrawler, said she was sexually assaulted by a male stripper hired by the singer of the Growlers while the bands were on tour together in Australia. (The Growlers released music through Burger.) De Wilde did not name the stripper, instead focusing on the humiliation she says she experienced when members of the Growlers filmed the incident while laughing. Singer Brooks Nielsen issued an apology and two members left the band, although the Growlers recently listed three new tour dates for 2021.

The garage-rock musician Nobunny (Justin Champlin), who released numerous albums on Burger, admitted to a history of sexual misconduct and announced that he would no longer play music. “I f—ed up bad. I used my power and influence to take advantage of young women and teenage girls,” he wrote in a statement published by Pitchfork; and other, smaller bands, such as L.A.’s Mystic Braves, which released a cassette through Burger in collaboration with Lolipop Records, temporarily disbanded in late July after acknowledging that harm had been done by certain members.

Redd was not alone in posting the harrowing stories of others. A number of other anonymously run accounts cropped up, including, which supports victims of abuse in the region’s music scene.

Scanning the stories on these accounts is like navigating a landmine of trauma, sorrow and bravery. Chunks of text pop at the reader: “Gaslighting and manipulating me,” “he ignored any and all physical signs of me trying to escape,” “choked her near the point of unconsciousness,” “I was too scared to report it,” “I blacked out and woke up in a studio naked and was bleeding and felt sore.”

On July 21, Burger co-founder Lee Rickard stepped down from his role as label president and divested all interest in the label.

The label issued a statement that read in part that it was “deeply sorry for the role Burger has played in perpetuating a culture of toxic masculinity.”

Five days after Redd’s first Lured_By_Burger_Records post, Burger folded completely, taking with it the operation’s entire digital footprint. Bohrman capped his announcement of the company’s dissolution to a Pitchfork reporter with a Porky Pig GIF: “That’s all folks.”

Except it wasn’t. Not for the young women who had their lives turned upside down by the predation they say they experienced as naïve teenagers idolizing their rock gods. And not for the legions of girls and women of all ages suddenly confronting feelings about how all of this seemed eerily similar to their own experiences in the underground music scene, Burger-related or not.

Sexual abuse has long been part and parcel of the anything-goes, predominantly masculine rock ‘n’ roll ethos cultivated by the musical culture, the bands that populate it and the labels that traffic in it, say many of the women interviewed for this story by The Times.

Exploitation by male musicians is often met with widespread acceptance from a scene that supports sexual fetishization of women as passive vehicles for male pleasure. The abuses endemic to Burger Records, they say, are representative of the problem but far from unique.

Indeed, the sexual conquest of young women by older rock stars is often celebrated, says Michelle Butler, a psychologist who serves as executive director and co-founder of Polaris, a residential treatment center for teens. (Butler’s husband is also a music producer.)

“Many of these revered rock gods absolutely committed statutory rape. We all know it, it’s been well-documented, and somehow it’s been written off as part of the groupie culture,” Butler says. “So you take somebody who is like the David Bowie of their little scene, and you take somebody who is impressionable and maybe a little lost, and it’s a recipe for disaster.”

In film and television production, some safeguards have been erected in recent years to protect vulnerable artists including the use of intimacy coordinators on set and new channels for reporting abuse. The music scene, by comparison, says one young female musician with experience in TV, is a “dumpster fire” when it comes to protecting female musicians. Fans in clubs, other women say, are simply on their own.

Emily Langland began going to shows at the Smell, a cavernous, graffiti-laden, all-ages club housed in an old concrete storefront in downtown L.A.’s Historic Core, when she was in high school.

Langland soon met a number of older fans on the scene, and made the trek to another beloved all-ages venue, the Glass House in Pomona, to see Atlanta-based garage band Black Lips, which headlined Burgerama two years in a row. Burger also reissued four of the band’s albums on cassette.

Langland, then 17, was invited backstage by the opening band, and a few days later the singer of that band invited her to a house party in Echo Park.

It was there in 2011 that she met Cole Alexander, the guitarist for Black Lips, who recognized her from the show in Pomona.

Alexander, who was 29 at the time, soon began texting sexually inappropriate messages to Langland, she claims. She says he would text that he fantasized about her and that he liked being with submissive girls because he enjoyed holding the power in his relationships.

In one text that Langland shared with The Times, Alexander wrote that he wanted to try to have sex with her, using a more vulgar phrase.

“I like young people but that’s tabboo [sic]. But I don’t completely know why. I’m 29.”

Langland says she was a little put off by his advances, but that she still counted herself a fan of his music.

“I went along with the things he was sending me,” she says. “But I would try to change the conversation.”

Langland and Alexander eventually had a sexual relationship when he was 30 and she was 18.

Alexander, when reached, declined to comment for the story. But in recent texts Langland shared with The Times, Alexander wrote that he thought what happened between them was appropriate.

“You know I would never prey on anyone,” he wrote.

“The only thing I’m trying to get out of this is accountability from him,” Langland said. “I’m not trying to cancel him.”

Taylor Kourkos loved Burger bands and began going to all-ages shows when she was 16.

At the record shop, she says she was regularly invited into the back room and offered beer, alcohol and weed. Older guys from bands hung out there and Kourkos says they showered her with compliments.

Kourkos got into a band called Audacity, which released a 7″ record and a cassette through Burger. After posting photos she took at a show, the band’s lead singer, Matt Schmalfeld, flirted with her on social media.

Kourkos had to make a music video for her high school history class and asked Schmalfeld if he would be in it. To her surprise, he said yes. After that, they developed a closer relationship that she alleges soon turned sexual. Kourkos was 16, Schmalfeld was 21.

Kourkos says that Schmalfeld gave her alcohol, free tickets and backstage access. She says he made comments about how well-developed and mature she was for her age and told her they had to keep their relationship a secret.

“He told me that the band would break up, that he would go to jail and lose his job,” Kourkos says.

Their relationship continued for a year. They would meet and hook up, and Schmalfeld would avoid being seen with Kourkos in public, she says.

“Eventually he got a girlfriend and I was completely forgotten,” Kourkos says.

A friend of Kourkos, who used to go to Burger shows with her and took pictures of the bands, said in a telephone interview with The Times that Kourkos told him about her relationship with Schmalfeld at the time.

Schmalfeld declined to comment for this article.

When Kourkos was backstage at shows, she says there were usually other teenage girls. She says the guys in bands would offer them alcohol and drugs.

“There would be teenage girls passed out or freaking out on drugs at the shows, and they were always somehow being comforted by these older men, and not by their friends,” Kourkos says. “It was a very dangerous environment.”

One fan remembered hearing the men who frequented Burger shows referring to young fans as “Prosti-tots.”

“They were literally luring children backstage, at the shop, to their homes, and in their cars,” says Kourkos.

Charlotte Froom, 34, was once the bassist of the L.A.-based, Geffen-signed, all-female band The Like, and is now making music under the name Spiders & Hearts, which is signed to popular indie label Narnack Records.

When she was 22, Froom alleges she was sexually assaulted by Darren Rademaker, the vocalist and guitarist of L.A.-based psych-pop band The Tyde, which released a cassette titled “Darren 4” through Burger Records in 2016, and played several Burgerama festivals before that.

Froom says the incident happened after Rademaker drove her home from Little Joy, an Echo Park dive bar popular with musicians and artists in the area. The friends she came to the bar with had left and she found herself alone with Rademaker.

“I don’t know how many drinks I had, because he kept putting drinks in front of me,” Froom recalls. “My glass was never empty.”

When they got to her neighborhood, he wouldn’t let her out of the car in front of her apartment; instead, Froom says, he continued to drive around for almost 45 minutes until he could find street parking.

“I kept saying, ‘You said you’d drop me off, please drop me off,’ and he wouldn’t let me out of the car, and then he forced himself into my apartment,” Froom says.

Once he was inside he said they should have a nightcap. Froom says she was so drunk that she poured one, and after that she alleges that Rademaker raped her while she came in and out of consciousness.

Earlier in the evening, Froom said, “I was saying no to everything,” recalling how she repeatedly had asked Rademaker to drop her off and to leave. But by the end of the night, she said, she was too intoxicated to consent. “I didn’t feel I had any control of the situation.”

“I was just like a dead body,” she said. “There was fight, flight or freeze, and I was frozen.”

Rademaker, she says, was married at the time, and Froom knew his wife, which only added to her anxiety and sense of shame afterward. It was that shame, she says, that kept her from filing a police report or otherwise going public with her experience.

Rademaker did not respond to multiple requests for comment.

“In hindsight, it took me a lot of time to understand it wasn’t my fault,” Froom says. “I was too ashamed to tell my therapist because I was like, ‘I put myself in this position.'”

Froom eventually did tell her therapist who confirmed her story to The Times, as did her ex-husband, whom Froom told after they were married.

Froom’s story mirrors stories told by other women who at first blamed themselves for the sexual abuse inflicted by men they trusted, dated or otherwise befriended.

“It’s all controlled by men”The community of outcasts that comprise much of the DIY/underground music scene, say the women and girls who belonged to it, presents itself as liberal and inclusive, but it often betrays those who need it and trust it the most.

“They think they’re progressive because they’re artists, but it’s all controlled by men,” says music fan and artist Amanda Martin, who was heavily involved in the So Cal music scene from 2003 to 2015. She recalls experiencing various forms of harassment and emotional abuse. “They get to choose who plays the shows and which girl gets to be in a band. It’s easy for them to maintain power.”

Women who play music in the scene know all too well the challenges of making art in testosterone-driven environments where they have to constantly be on the look-out for situations that could quickly become risky, says May McDonough, 35, who now works as a film composer, but fronted the garage-punk band The May Company.

McDonough had music released on Burger compilations and played many shows with Burger bands. She recalls that men in the bands would say sexually derogatory things about women in front of her and that one band even encouraged female fans to physically fight in order to determine who would be taken home by the band that night.

“It’s already a ubiquitous part of our society,” McDonough says of sexual abuse and assault. “And then you get down to this myopic rock ‘n’ roll culture. If you’re a rock ‘n’ roller, if you’re creative, whatever impulse you have is supposed to be indulged.”

McDonough remembers an instance where she fell asleep alongside friends on the floor of the house where she was staying. When she woke, a man was spooning her with his hands down her pants. She said “no” three times, enough that she feared the situation could turn violent.

“I just wanted to be friends with other musicians,” says McDonough. “We were three girls in a band, hoping to be a part of a community, and the feedback was, ‘You will always be seen as this sexual component, and don’t complain about it, because this is how things are.'”

For her part, Casey Redd is heartened by the sisterhood and support she found after creating Lured_By_Burger_Records, and she hopes this reckoning will lead to lasting change in the scene. She’s still in shock that a once-thriving label — a label that used to play such a large role in her life — completely unraveled in less than a week, thanks to an Instagram page that gave voice to scores of women who had remained silent for too long.

“I wasn’t expecting that at all, for them to just completely remove all presence from the internet,” Redd says. “I still haven’t been able to process it.

Redd stopped posting to the account at the end of July, writing that she needed an extended period of rest and recovery.

She’s not sure what comes next. Healing, she says, is a lifelong journey.

(c)2021 the Los Angeles Times

Distributed by Tribune Content Agency, LLC.

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Weekly Sunday video chat, featuring Ryan Wrecker

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Weekly Sunday video chat, featuring Ryan Wrecker

It’s still the easiest way to get a hold of me. I’m always looking for show ideas, topics, guests and reaction to things we talk about on the show. Make sure to like and follow.

The Sunday video chats are live-streamed on Facebook at some point on Sunday night. This is the saved video.

We strive to be a platform where varying opinions may be voiced and heard.
The views, thoughts, and opinions expressed by the author(s) of this article and/or by those providing
comments are theirs alone, and do not represent those of Entercom Communications Corp. and RADIO.COM.
We are not responsible for any damages or losses arising from this article and/or any comment(s).


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Netflix Original Movies Coming in 2021 & Beyond

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netflix movie preview 2021 and beyond

netflix movie preview 2021 and beyond

Welcome to our biggest preview ever looking at all the Netflix Original movies coming to Netflix globally in 2021 and beyond. 

Netflix has been releasing hundred over 100 movies every single year for the past few years and that looks to be ramping up both in terms of quantity and quality with huge talent behind and in front of the cameras. Not only that, Netflix’s strategy involves talent from all over the world making it truly formidable.

On January 12th, Netflix lifted the lid on its 2021 lineup and we’ve adjusted this article to have all the of the confirmed movies for 2021 below and then go into other movies in development in the beyond section.

Now it’s important to state this isn’t every movie in development. We actually don’t think we’ve even covered half of the movies currently on their way but we had to put this out eventually.

So without further ado, here’s our massive preview of movies confirmed for 2021 and some of the biggest titles coming beyond.

Netflix Original Movies Confirmed for 2021

Army of the Dead

Genre: Horror
Director: Zack Snyder
Cast: Dave Bautista, Ella Purnell, Omari Hardwick, Tig Notaro

army of the dead netflix 2021 movie

In the mood for zombies? Zack Snyder who is currently in high demand completed filming for Army of the Dead in 2020 but with several changes to the cast to be done in post-production, it was pushed back.

The movie release is set to only be the beginning of Army of the Dead on Netflix with a prequel and anime series also planned.

A Castle for Christmas

Director: Mary Lambert
Genre: Christmas
Cast: Brooke Shields, Cary Elwes

a castle for christmas netflix

One of the many Christmas movies in development includes A Castle For Christmas which comes from the director of Pet Semetary from 1989.

The movie follows a writer who travels to Scotland looking to buy a castle but butts heads with the current owner.

Filming reportedly started in late September 2020.


Director: Mark Raso
Cast: Jennifer Jason Leigh, Gina Rodriguez, Frances Fisher, Barry Pepper, Finn Jones

awake netflix cast

This sci-fi thriller follows a mother and daughter looking for a solution that rendered technology useless and humans unable to sleep.

A Week Away

Director: Roman White
Genre: Musical
Cast: Bailee Madison, David Koechner, Sherri Shepherd, Kevin Quinn

a week away netflix

Faith-based musical from Roman White who is behind Summer Forever and Taylor Swift’s You Belong with Me.

Here’s what you can expect from the musical:

“Nowhere left to go, Will Hawkins finds himself at camp for the first time. His instinct is to run, but he finds a friend, a father figure and even a girl who awakens his heart. Most of all, he finally finds a home.”

A Boy Called Christmas 

Director: Gil Kenan
Genre: Christmas, Family
Cast: Henry Lawfull, Toby Jones, Sally Hawkins, Kristen Wiig, Michiel Huisman, Stephen Merchant, Jim Broadbent, Maggie Smith

christmas boy

Based on a novel by popular British author, Matt Haig, A Boy Called Christmas looks like a real family treat for the 2021 festive season.

A bit like Netflix’s Klaus, we have another origin story about Santa Claus’s roots. The movie follows a young boy called Nikolas, who journeys to the snowy North Pole to find out more about his past, and his Christmas destiny.

Afterlife of the Party 

Director: Stephen Herek
Genre: Drama, Fantasy
Cast: Victoria Justice, Midori Francis, Spencer Sutherland

Our protagonist is a social butterfly, whose plans are scuppered when she unexpectedly dies during her birthday week. Fortunately, she’s given a second chance to right her wrongs on earth, and prove she deserves her place in that big VIP room in the sky…

Bad Trip 

Director: Kitao Sakurai
Genre: Comedy, Hidden Camera
Cast: Eric Andre, Lil Rel Howery, Tiffany Haddish, Michaela Conlin

bad trip

If you’ve been missing out on road trips with your buddies in 2021, you can live vicariously through Bad Trip. Produced by the minds behind Jackass and Bad Grampa, this new movie is part scripted buddy-comedy, and part hidden-camera hijinks. Expect plenty of bad taste humor and goofy pranks.


Director: Andrew Dosunmu
Genre: Drama, Romance
Cast: Niecy Nash, Aleyse Shannon, Giancarlo Esposito, Gracie Marie Bradley, Kayle Bary, Michael Ward, Sharon Stone

A gifted young Black woman, Beauty, has a lucrative music career ahead of her. As she is pulled this way and that by the expectations of her family, her best friend, and her record label, Beauty struggles to remain true to herself.


Director: Ferdinando Cito Filomarino
Genre: Thriller
Cast: John David Washington, Alicia Vikander, Boyd Holbrook, Vicky Krieps

A couple’s vacation turns into their worst nightmare when they become embroiled in a dark conspiracy at the hands of violent perpetrators.


Director: Andrew Dominik
Genre: Drama, Biopic
Cast: Ana de Armas, Adrien Brody, Bobby Cannavale, Julianne Nicholson, Lily Fisher, Caspar Phillipson, Toby Huss, Sara Paxton

marilyn monroe blonde movie netflix

Based on the 2000 novel of the same name, this biopic is a reimagining of the tragic life of Marilyn Monroe (played by Ana de Armas). Adrien Brody stars as Monroe’s husband, The Playwright (AKA Arthur Miller) and Caspar Phillipson stars as JFK. This will be the fifth time he’s played the late president: Phillipson previously filled the role in the 2016 biopic, Jackie, the short film The Speech JFK Never Gave, the History Channel TV drama Project Blue Book, plus a number of stage performances.


Director: Halle Berry
Genre: Drama, Sports
Cast: Halle Berry, Adan Canto, Sheila Atim, Stephen McKinley Henderson, Shamier Anderson

bruised netflix 2021 movie

Halle Berry makes her directorial debut in this drama about a disgraced MMA fighter trying to turn her life around by hoping to defeat one of the rising stars in the sport. Berry also stars as the protagonist. The movie debuted at the Toronto Film Festival and was quickly picked up by Netflix. The movie reportedly cost Netflix close to $20 million.

Concrete Cowboy

Director: Ricky Staub
Genre: Western, Drama
Cast: Idris Elba, Caleb McLaughlin, Jharrel Jerome, Byron Bowers, Lorraine Toussaint, Clifford ‘Method Man’ Smith

concrete cowboy netflix 2021 movie

Another pickup now from the Toronto Film Festival, featuring action legend Idris Elba and Stranger Things’ Caleb McLaughlin.

Concrete Cowboy is a new take on the Western genre. It covers urban cowboys living in Philadelphia and a 15-year-old boy sent to his estranged father who explores the community.

Don’t Look Up

Director: Adam McKay
Genre: Comedy
Cast: Leonardo DiCaprio, Jennifer Lawrence, Rob Morgan, Jonah Hill, Tyler Perry, Timothee Chamalet, Ron Perlman, Cate Blanchett, Meryl Streep

dont look up netflix

This is one of the biggest movies Netflix has ever assembled. Its cast alone is absolutely huge with Leonardo DiCaprio, Jennifer Lawrence, Timothée Chalamet, Cate Blanchett, Meryl Streep, and Johah Hill all attached.

The movie follows two astronomers who come up against a brick wall when trying to warn the world’s media of a giant meteorite hurtling towards Earth.

Escape from Spiderhead 

Director: Joseph Kosinski
Genre: Action, Sci-Fi- Mystery, Thriller
Cast: Chris Hemsworth, Miles Teller, Jurnee Smollett, Mark Paguio, Tess Haubrich

escape from SH

Set in the near future, two young convicts grapple with their pasts in a facility run by a brilliant visionary, who experiments on inmates with emotion-altering drugs.

Fear Street Trilogy

Director: Leigh Janiak
Genre: Horror, Drama

fear street trilogy netflix

If you loved the work of R.L. Stine growing up, you’ll be pleased to hear that Netflix has adapted the Fear Street novels into a trilogy of movies: Fear Street: 1994, Fear Street: 1978, and Fear Street: 1666. 

In 1994, a group of teens discover that the weird events that have plagued their hometown (Shadyside, Ohio) for generations are no coincidence. They’re the results of a centuries-old curse, and these kids may be its next victims…

The Fear Street trilogy will be available in Summer 2021.

Finding ‘Ohana 

Director: Jude Weng
Genre: Family, Action, Adventure
Cast: Kea Peahu, Alex Aiono, Lindsay Watson, Owen Vaccaro, Kelly Hu, Branscombe Richmond, Ke Huy Quan, Brad Kalilimoku, Chris Parnell


When two Brooklyn-raised siblings spend their summer in rural Oahu, Hawaii, adventure soon ensues. On the hunt for long-lost treasure, the pair make new friends and reconnect with their somewhat neglected Hawaiian heritage. Available 29 January.

I Care A Lot 

Director: J Blakeson
Genre: Crime, Comedy
Cast: Rosamund Pike, Eiza Gonzalez, Dianne Wiest, Peter Dinklage, Chris Messina, Isaiah Whitlock Jr

i care a lot netflix

Rosamund Pike stars in her first Netflix Original as a crooked legal guardian, determined to drain her elderly wards of their life savings. Fortunately/unfortunately, she meets her match in an unassuming woman who she tries to swindle.

Check out our full article on I Care A Lot here. Available to stream from 19 February 2021.


Director: Adam Salky
Genre: Thriller, Crime, Psychological
Cast: Freida Pinto, Logan Marshall-Green

When a husband and wife move to a small town, everything seems perfect. Unfortunately, a home invasion pretty quickly leaves the wife traumatized and unable to trust those around her. Every family’s worst nightmare.


Director: Cedric Nicolas-Troyan
Genre: Crime, Thriller, Drama
Cast: Mary Elizabeth Winstead, Woody Harrelson

kate netflix movie 2021

After a soon-to-be-deadly poisoning, female assassin, Kate, has less than 24 hours to reap her revenge. While in the process of getting even, she forms an unlikely bond with the daughter of one of her past victims.

Love Hard 

Director: Hernán Jiménez
Genre: Romantic comedy
Cast: Nina Dobrev, Jimmy O. Yang, Charles Melton, Darren Barnet, James Saito, Harry Shum Jr

Love Hard fulfills the worst nightmare of anyone who has ever tried online dating. An unlucky-in-love LA girl decides to surprise her new beau with a Christmas visit, only to find out she’s been catfished. However, the guy who duped her promised to set her up with the guy she thought she was chatting to, if she pretends to be his girlfriend for the holiday season.

Malcolm & Marie

Director: Sam Levinson
Genre: Drama, Romance
Cast: Zendaya, John David Washington


An up-and-coming film-maker and his girlfriend are flying high after a premiere to celebrate his most recent project. However, the evening takes an unexpected turn for the worst when the couple is forced to examine the strength of their relationship.

This black-and-white arthouse piece was shot during the coronavirus pandemic. Available to stream from 5 February 2021.


Director: Anthony Mandler
Genre: Drama
Cast: Kelvin Harrison Jr, Jennifer Hudson, Jeffrey Wright, Jharrel Jerome, Jennifer Ehle, Rakim Mayers, Nasir ‘Nas’ Jones, Tim Blake Nelson, John David Washington

Steve Harmon is a good kid: a seventeen-year-old honor student studying at an elite high school. But, his world comes crashing down when he is charged with felony murder. Monster tells the story of Harmon’s complex legal battles, and the impact this has on him.


Director: Amy Poehler
Genre: Comedy, Drama,
Cast: Hadley Robinson, Lauren Tsai, Patrick Schwarzenegger, Nico Hiraga, Sydney Park, Josphine Langford, Amy Poehler

moxie netflix movie march 2021

Fed up with the sexist and toxic status quo at her high school, a shy 16-year-old finds inspiration from her mother’s rebellious past and anonymously publishes a zine that sparks a school-wide, coming-of-rage revolution.


Director: Christian Schwochow
Genre: Historical Drama
Cast: Jeremy Irons, George MacKay, Jannis Niewöhner, Sandra Hüller, Liv Lisa Fries, August Diehl, Erin Doherty, Anjli Mohindra, Martin Wuttke

munich netflix

Jeremy Irons headlines the cast for this historical drama that adapts the novel of the same name by Robert Harris.

The movie follows the leading weeks up to the second World War and Neville Chamberlain’s efforts to construct a peace deal.

News of the World

Director: Paul Greengrass
Genre: Historical, Western, Drama
Cast: Tom Hanks, Helena Zengel, Michael Covino, Fred Hechinger

news of the world

Based on the novel of the same name, this upcoming movie stars Tom Hanks as a Civil War veteran who must return a young girl to her surviving family after she was abducted by Native Americans.

In the US, the release and distribution is being handled by Universal, which means it won’t be on Netflix. However, viewers internationally can stream News of the World as a Netflix Original.


Director: David Yarovesky
Cast: Krysten Ritter, Lidya Jewett, Winslow Fegley

A new Halloween family movie about a young boy obsessed with scary stories and ends up being imprisoned by a witch in New York City.

The film was due to start filming in mid-October 2020 and wrap in December. Sam Raimi serves as executive producer.

Night Teeth

Genre: Thriller
Director: Adam Randall
Cast: Alexander Ludwig, Debby Ryan, Sydney Sweeny

night teeth netflix

Filming in New Orleans and Los Angeles, this thriller is set to throw a spanner to the genre that is reminiscent of Knock Knock starring Keanu Reeves. It’s about a chauffeur who drives two women to different parties but ends up having to fight for his life.

Outside the Wire 

Director: Mikael Håfström
Genre: Sci-Fi
Cast: Anthony Mackie, Damson Idris, Emily Beecham, Michael Kelly, Pilou Asbaek

outside the wire

This dystopian sci-fi flick follows drone pilot, Harp (Damson Idris), as he attempts to locate a doomsday divide in a deadly militarized zone. Can he find it before the insurgents do?

Penguin Bloom 

Director: Glendyn Ivin
Genre: Biopic, Drama, Tear-Jerker
Cast: Naomi Watts, Andrew Lincoln, Jacki Weaver

penguin boom

Naomi Watts plays young mother, Sam Bloom, in this inspirational true story. When Sam is seriously injured in a car accident, her family struggles to adjust to their new situation. The arrival of an injured baby magpie, whom they name Penguin, helps to change their perspective.

Pieces of a Woman

Director: Kornél Mundruczó
Genre: Drama
Cast: Vanessa Kirby, Shia LaBoeuf

pieces of a woman

A young couple, expecting the arrival of their first child, is left heartbroken when their home-birth goes wrong. Vanessa Kirby (The Crown) stars as the grieving mother, attempting to negotiate life alongside her loss, her loved ones, and a grueling court case against their midwife.

Coming 7 January 2021.

Red Notice

Director: Rawson Marshall Thurber
Genre: Action Comedy
Cast: Dwayne Johnson, Gal Gadot, Ryan Reynolds

red notice netflix

If big budgets and raw star power is your thing, then Red Notice is probably on your radar. Starring Dwayne Johnson, Ryan Reynolds, and Gal Gadot, this movie follows a group of agents tracking down a globally wanted art thief.


Director: Joe Penna
Genre: Sci-Fi
Cast: Anna Kendrick, Toni Collette, Daniel Dae Kim, Shamier Anderson

An unexpected stowaway brings chaos and drama to a mission headed to Mars. The ship’s medic (Anna Kendrick) has a solution, but can she get the captain and crew to listen to her warnings?

Sweet Girl

Director: Brian Andrew Mendoza
Cast: Jason Momoa, Isabela Merced, Manuel Garcia-Rulfo, Adria Arjona, Raza Jeffrey, Justin Bartha

sweet girl netflix 2021

Marisa Tomei and Jason Mamoa feature in this action drama about a husband looking to get justice for the death of his wife while protecting his daughter.

Philip Eisner, Gregg Hurwitz, and Will Staples are the writers for the title with the movie likely arriving in early 2021 given it’s been in post-production since March 2020.

The Dig

Director: Simon Stone
Genre: Biography, History
Cast: Ralph Fiennes, Lily James, Johnny Flynn, Carey Mulligan

the dig netflix 2021

Netflix and BBC Films team up for The Dig starring Ralph Fiennes. The movie tells the story of an archeologist excavating Sutton Hoo in the early 20th century.

Available on Netflix 29 January 2021.

The Guilty 

Director: Antoine Fuqua
Genre: Thriller
Cast: Jake Gyllenhaal, Ethan Hawke, Peter Sarsgaard, Riley Keough, Paul Dano, Byron Bowers, Da’Vine Joy Randolph, David Castaneda, Christina Vidal, Adrian Martinez, Bill Burr, Beau Knapp, Edi Patterson

Remake of the 2018 Danish crime thriller. The action takes place over a single morning in a 911 dispatch call center. Call operator Joe Bayler (Gyllenhaal) becomes embroiled in an attempt to save a caller in peril.

The Harder They Fall 

Director: Jeymes Samuel
Genre: Western, Drama
Cast:  Jonathan Majors, Idris Elba, Zazie Beetz, Lakeith Stanfield, Delroy Lindo, Regina King, Danielle Deadwyler, Edi Gathegi, RJ Cyler

Western revenge drama featuring Jonathan Majors as the lead, and Idris Elba as his nemesis who has just been released from prison. This movie is notable for its modern take on the classic Western movie, featuring a stellar all-Black cast.

This is Idris Elba’s second appearance in a 2021 Original Western (the first being Concrete Cowboy).

The Kissing Booth 3

Director: Vince Marcello
Genre: Romance, Teen
Cast: Joey King, Jacob Elordi, Joel Courtney, Taylor Zakhar Perez, Meganne Young, Maisie Richardson-Sellers

the kissing booth 3 netflix 2021

Netflix has been building up its teen romantic dramas for a while with The Kissing Booth now in line for a third (and maybe final movie?) outing.

Here’s what you can expect from the third entry:

“It’s the summer before Elle (Joey King) heads to college, and she has a secret: She got into both Harvard, where her dreamy boyfriend Noah (Jacob Elordi) goes, and Berkeley, where her BFF Lee (Joel Courtney) is going. Which path will Elle choose?”

The Last Letter from Your Lover

Director: Augustine Frizzell
Genre: Drama, Romance
Cast: Felicity Jones, Shailene Woodley, Diana Kent, Callum Turner, Ben Cross, Nabhaan Rizwan, Joe Alwyn, Ncuti Gatwa

the last letter from your lover netflix

Another one of the book adaptations coming to Netflix in 2021 is The Last Letter from Your Lover which is adapted from the romance novel by Jojo Moyes.

Set in the 1960s, we follow a journalist in London who encounters a series of love letters and quickly becomes obsessed with finding out who the recipient and original sender is.

The Power of the Dog

Genre: Drama
Director: Jane Campion

the power of the dog netflix 2021 movie

Another thrilling drama coming to Netflix next year with an absolutely stacked cast.

Based on the novel by Thomas Savage, Jane Campion adapts and directs. The Power of the Dog is about two brothers whose relationship comes to a head after one gets married.

Among the aforementioned cast includes Kirsten Dunst, Benedict Cumberbatch, Jesse Plemons (who reunites with Kirsten having starred in FX’s Fargo together), Kodi Smit-McPhee, and Thomasin McKenzie.

The Princess Switch 3 

Director: Mike Rohl
Genre: Christmas, Romance
Cast: Vanessa Hudgens

princess switch 3

One of Netflix’s most-loved Christmas franchises is back for its third installment. And you guessed it… this time there’s three of them. When a priceless relic is stolen, Queen Margaret and Princess Stacy enlist the help of Margaret’s audacious cousin to retrieve it. Could even more romance be on the cards?!

There’s Someone Inside Your House

Director: Patrick Brice
Genre: Horror
Cast: Sydney Park, Theodore Pellerin, Asjha Cooper, Dale Whibley, Jesse LaTourette, Burkely Duffield, Diego Josef

theres someone inside your house netflix 2021

Coming to Netflix as part of the 21 Laps / Shawn Levy output deal is There’s Someone Insider Your House.

Based on the novel by Stephanie Perkins and adapted by Henry Gayden, the movie follows a class who have just graduated and begins being picked off one by one by a masked assailant intent on revealing their dirty secrets.

The Starling 

Director: Theodore Melfi
Genre: Dramedy
Cast: Melissa McCarthy, Chris O’Dowd, Kevin Kline, Timothy Olyphant, Daveed Diggs, Skyler Gisondo, Loretta Devine, Laura Harrier, Rosalind Chao, Kimberly Quinn, Emily Tremaine, Scott MacArthur, Elisabeth Rohm, Veronica Falcón, Jimmy O. Yang

This heartwarming dramedy explores how nature can help us get through our toughest times. After dealing with hardship, husband Jack (Chris O’Dowd) leaves to take some time for himself, while wife Lily (Melissa McCarthy) stays at their home, dealing with her own struggles. When a starling bird nesting in the backyard starts causing a nuisance, Lily feels personally attacked. Turning to a local vet, Larry, the pair strike up an unlikely friendship, and are able to work through their own problems together.

The Woman in the Window 

Director: Joe Wright
Genre: Drama, Thriller
Cast: Amy Adams, Gary Oldman, Anthony Mackie, Fred Hechinger, Wyatt Russel, Brian Tyree Henry, Jennifer Jason Leigh, Julianne Moore, Jeanine Serralles, Mariah Bozeman, Liza Colón-Zayas, Tracy Letts

woman in the window

Reclusive shut-in, Dr Anna Fox (Amy Adams), rarely leaves her New York City apartment. Instead, she becomes obsessed with watching the world from her window, including her new neighbors. However, her world takes a dark turn when she witnesses a disturbing act of violence.

Things Heard and Seen 

Director: Robert Pulcini and Shari Springer Berman
Genre: Horror
Cast: Amanda Seyfried, James Norton, Natalia Dyer, Rhea Seehorn, Alex Neustaedter, F. Murray Abraham, Karen Allen, Michael Abbott Jr

things heard and seen

This upcoming horror flick is based on the novel ‘All Things Cease to Appear’ by Elizabeth Brundage. A couple from Manhattan up sticks, and move to a small hamlet in the country. However, shortly after arriving, they realize that things are not quite as they seemed: both in their new home and their marriage.

Thunder Force 

Director: Ben Falcone
Genre: Superhero, Comedy
Cast: Melissa McCarthy, Octavia Spencer, Jason Bateman, Bobby Cannavale, Pom Klementieff, Melissa Leo, Ben Falcone, Melissa Ponzio, Marcella Lowery, Tyrel Jackson Williams


Ever wondered what would happen if two ordinary women became superheroes? Thunder Force explores just that! Check out our full article covering everything we know about it so far.

Tick, Tick… Boom!

Director: Lin-Manuel Miranda
Genre: Musical
Cast: Vanessa Hudgens, Bradley Whitford, Andrew Garfield

tick tick boom netflix

Broadway musicals being translated into the big screen have been a mixed bag thus far. Hamilton on Disney+ had a huge impact whereas Netflix’s attempts thus far, notably The Boys in the Band have yet to make much noise.

Netflix is therefore picking up Lin-Manuel Miranda who was instrumental in Hamilton to direct this movie featuring Andrew Garfield set in New York. You see more about Netflix’s Tick, Tick… Boom! in our preview.

Nickelodeon’s The Loud House & The Rise of Teenage Mutant Ninja Turtles

Genre: Animated, Kids

nickelodeon the loud house rise of teenage mutant ninja turtles

Two Nickelodeon animated movies will be coming to Netflix in 2021 based on existing franchises.

The White Tiger

Director: Ramin Bahrani
Genre: Drama
Netflix Release Date: January 22nd

the white tiger netflix

Ramin Bahrani, an acclaimed writer and director from India will be coming to Netflix in January 2020 with his new movie for Netflix spoken entirely in English.

The movie follows a driver who attempts to rise to the top but risks it all to do so.

To All The Boys: Always & Forever 

Director: Matt Kaplan
Genre: Teen, Romantic
Cast: Lana Condor, Noah Centineo, Jordan Fisher, Anna Cathcart, Janel Parrish, Ross Butler, Madeleine Arthur, Emilija Baranac, Trezzo Mahoro, Holland Taylor, Sarayu Blue, John Corbett, Kelcey Mawema, Julie Tao as Haven

to all the boys 3

The third installment in Netflix’s popular teen romance series. As Lara Jean prepares to finish high school, some life-changing trips change her expectations of her future forever.

Trollhunters: Rise of the Titans

Director: Johane Matte, Francisco Ruiz-Velasco, Andrew L. Schmidt
Genre: Animated, Kids

trollhunters rise of the titans

Tales of Arcadia was the expansive universe that came to Netflix as part of the Dreamworks TV deal with executive producer Guillermo del Toro on board. As a surprise after Wizards, it was announced the trilogy would be getting an additional movie called Rise of the Titans.

It’ll reunite much of the big cast seen in previous entries for a final battle against the Arcane Order. Voices include Nick Frost, Nick Offerman, Diego Luna, Steven Yeun, Kelsey Grammer, and Charlie Saxton.

Yes Day 

Director: Miguel Arteta
Genre: Family, Comedy
Cast: Jennifer Garner, Édgar Ramírez, Jenna Ortega, Julian Lerner, Megan Stott, June Diane Raphael, Nat Faxon

yes day

Sick of feeling like they’re always being negative, Allison and Carlos decide to stop saying NO and start saying YES. They give their kids a ‘yes day’: 24-hours where tehy have to agree to anything the kids suggest. The family ends up on a whrlwind trip around Los Angeles, and they feel closer than ever.

Confirmed International Netflix Original Movies for 2021

  • 8 Rue De l’Humanite – Dany Boon directs this coronavirus centered movie about 7 families living within the same building.
  • Blood Red Sky – A woman with a mysterious illness is forced to play the heroine when a group of terrorists hijack the Transatlantic night flight that she and her child are traveling on.
  • Double Dad – Vicenza is an 18-year old woman who has lived her whole life on a hippie commune. She’s happy enough, but there’s one problem: she doesn’t know who her dad is. In her big to track him down, she ends up finding two father figures. This Brazilian comedy is already available to watch on Netflix.
  • Fever Dream (Distancia De Rescate) – As Amanda lies stricken with an unknown fever, a mysterious boy helps her unravel her past.
  • Fuimos Canciones (We Were Songs) – This Spanish romantic comedy follows 30-year-old Maca (María Valverde) who is doing her best to enjoy life until a figure from her past emerges to complicate things.
  • No One Gets Out Alive – Andy Serkis produced thriller about an immigrant in search of the American dream but ends up finding an American nightmare.
  • O2: When a young woman wakes up with no idea how she ended up inside a cryo unit, she must figure out a way to escape before she runs out of oxygen.
  • Skater Girl: Prerna, a young girl growing up in rural India, discovers a deep love of skateboarding. She must fight for her chance to compete in the national championships.
  • Telfaz11 Movie TBD – An untitled movie hailing from Saudi Arabia’s Telfaz11 production company with the first due to hit Netflix “in late 2021”.
  • The Hand of God – Italian drama film written, directed, and produced by Paolo Sorrentino. Starring Toni Servillo.
  • The Last Mercenary – A former secret agent must dive back into his old profession when his estranged son is falsely accused of serious crimes.
  • The Swarm – A Grasshopper farmer struggles to make ends meet in this unnerving French horror. However, everything changes when she discovers her creepy livestock has a taste for human blood.

Netflix Original Movies Coming Soon (The Beyond Section)

Although we don’t have definite dates for the movie titles below, there’s a chance they could drop onto Netflix in 2021…

America: The Motion Picture

Genre: Animation, Comedy
Director: Matt Thompson

america the motion picture netflix

This huge animated project was originally announced back in 2017 and sees a fictionalized George Washington fighting off revolutionaries to fight King James.

This could still slip in before 2020 ends but by most accounts, it’s more likely releasing in 2021.

Back in May 2020, we first reported on the expanded cast list for the movie including the likes of Simon Pegg, Channing Tatum and Judy Greer all voicing characters.

Apollo 10 1/2: A Space Age Adventure

Genre: Animation, Family
Director: Richard Linklater

apollo 10 1 2 a space age adventure netflix

This family coming-of-age drama will take you back to 1969 focusing on the moon landing from two perspectives, the astronauts and a kid watching from afar.

Zachary Levi and Jack Black headline the cast with Glen Powell, Josh Wiggins, and Samuel Davis also feature.

Born to Be Murdered

Director: Ferdinando Cito Filomarino

This is a thriller from the screenplay written by Ferdinando Cito Filomarino with Alicia Vikander, John David Washington and Boyd Holbrook set to star.

The premise of the movie is about a young couple who become ensnared in a deadly conspiracy during their vacation in Trikala, Greece.

Chicken Run 2

Director: Sam Fell

chicken run 2 netflix 2021

It’s been a minute for Chicken Run but a sequel is finally on the way. Netflix and Aardman Animation have now worked on a number of projects including Robin Robin and Shaun the Sheep but that will expand to the first full feature exclusive to Netflix globally in 2021.

The sequel will see the return of Babs, Ginger, Rocky, and Fletcher living on their new island after escaping Tweedy’s farm.

Diana: A New Musical

diana the musical netflix 2021

Hamilton lit up audiences on Disney+ and Netflix hopes Diana will be doing the same. Unlike Tick, Tick Boom later in this article, Diana will be the actual broadway play performed live.

The broadway special is set to appear on Netflix before May 25th, 2021 which is currently when the broadway play is set to get underway again.

My Father’s Dragon

Genre: Animated
Director: Nora Twomey

my fathers dragon netflix 2021

Cartoon Saloon from Ireland will be bringing their animated feature My Father’s Dragon to Netflix in 2021.

The movie was announced a big lineup of new animated projects back in 2018 with many coming to fruition next year. The movie is being written by Meg LeFauve who was previously at Pixar and wrote Inside Out and The Good Dinosaur.


Genre: Animation
Guillermo del Toro

pinocchio movie 2021

Guillermo del Toro is working on a number of big projects for Netflix as part of his output deal but perhaps the most exciting is this modern, darker retelling of Pinnochio.

Filmed entirely in stop-motion, we’ll see the classic children’s fairytale come to life with a huge cast. Voices set to feature include Ewan McGregor, Tilda Swinton, Christopher Waltz, and Ron Perlman.

Spaceman of Bohemia

Genre: Science fiction
Director: Johan Renck

spacemen of bohemia netflix

Adam Sandler is set to headline this sci-fi adaptation of the book from Jaroslav Kalfař with filming set to begin in February 2021.

The Division

Genre: Action
Director: Stephen Gaghan

the division netflix

Among the multiple video-games Netflix is adapting in multiple formats is Tom Clancy’s The Division which is set to star Jake Gyllenhaal.

The Gray Man

Genre: Action
Director: Joe and Anthony Russo

the gray man netflix

The book series from Mark Greaney is set to see a huge adaptation on Netflix and not only that, will likely spawn a huge thriller franchise for Netflix comparable to the size of The Bourne movies and James Bond.

Ana de Armas, Chris Evans, Ryan Gosling, Wagner Moura, Jessica Henwick, and Dhanush are all attached to star with Avengers: End Game directors Anthony and Joe Russo directing.

The School for Good and Evil

Genre: Fantasy
Director: Paul Feig

the school for good and evil netflix

Decorated director Paul Fieg will adapt the book series The School for Good and Evil for Netflix with Sophia Anne Caruso and Sofia Wylie currently set to star.

Wendell & Wild

Genre: Animation, Horror
Director: Henry Selick

wendell and wild netflix 2021

Jordan Peele and Keegan-Michael Key are both behind the pen and set to voice in this brand new animated movie coming in 2021.

The director behind Nightmare Before Christmas and Coraline is lending his talents to this title. It’s dubbed as horror and is about two demon brothers escaping the underworld and must escape a teenager who is trying to vanquish them. Smart guesses say this is one of the Halloween 2021 releases.

In the interest of this article not taking a lifetime to read, here’s a breakdown of even more movies on the way to Netflix.

  • 13: The Musical – CBS film adaptation of the play directed by Tamra Davis.
  • Animal Farm – Andy Serkis directs this adaptation of the George Orwell novel.
  • Army of the Dead: The Prequel – Filming has already concluded on the prequel to the Zack Snyder movie with Matthias Schweighöfer starring and directing.
  • Auntie Claus – New Christmas movie from the creator of High School Musical and Julie and the Phantoms.

bad dad netflix

  • Bad Dad – British comedy David Williams (Little Britain) is set to adapt his book for Netflix.
  • Bird Box 2 – A sequel to the Sandra Bullock Netflix smash-hit has long been rumored in development based on the novel’s sequel.
  • Black Crab – Swedish adapting Jerker Virdborg’s novel starring Noomi Rapace.
  • Black Stallions – Comedy featuring Kevin Hart, Don Cheadle and Lil Rel Howery.
  • Button Man – Brian Helgeland is set to adapt this British comic book strip.

  • Extraction 2 – A sequel to the first Chris Hemsworth movie currently on Netflix.
  • Millarworld movies including:
    • Empress
    • Huck
    • Sharkey The Bounty Hunter
  • Metal Lords – Kids movie from David Benioff and D.B. Weiss.
  • Mr. Harrigan’s Phone – Horror adaptation of the Stephen King novel from Ryan Murphy.
  • My Wife and I Bought A Ranch… – 21 Laps horror movie adapted from the Reddit short story.
  • The Nailbomber – Feature-length British documentary about far-right extremists who planted nail bombs across London.
  • Sherlock Junior – New movie looking into the early years of the famous detective.
  • Shoot Like a Girl – Netflix is reportedly taking this project over which had Angelina Jolie originally listed but Gal Gadot is thought to be replacing her for the Netflix version.

  • Spongebob Squarepants Spin-offs – Two untitled Spongebob movies are in the works as well as a series.
  • The Adam Project – Science fiction movie from director Shawn Levy with Ryan Reynolds and Jennifer Garner set to star.
  • Troll – Norweigen monster movie about a gigantic creature awakening in the mountains. Directed by Roar Uthaug – scheduled for 2022.

And this doesn’t include a bunch of untitled movies with only talent attached. That includes a Jason Bateman movie, an Ana DuVernay movie, movies from Steve Carr, Prentice Penny, Patrick Osbourne, Kevin Hart, Mark and Jay Duplass or Vince Vaughn. This also doesn’t include any of the announced movies from output deals with talent or studios such as Nickelodeon.

You can find even more Netflix movies coming up on the wiki page which does a fantastic job of keeping up.

So in conclusion, Netflix is making movies. A lot of them.

Have we missed any? Let us know in the comments down below.

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