Stella McCartney began her career as a fashion designer in the 1990s, most notably as the creative director of Chloe in Paris, and launched her own eponymous fashion house in 2001. In addition to her celebrated eye for design, she has been an advocate for animal rights (“a lifelong vegetarian, she has never used leather, feathers, skin, or fur in any of her designs since day one—a revolutionary stance, then and now,” a mission statement reads) as well as issues of sustainability regarding materials and manufacturing. For her Spring 2021 collection, she collaborated with artists on an “A-to-Z manifesto” that pairs each letter in the alphabet with a progressive idea (A for Accountable, V for Vegan, and so on).
One of those artists is Sheila Hicks, who studied with Josef Albers in the 1950s and in the decades since has created sculptural artworks using fabrics and fibers as well as various methods of weaving, knitting, knotting, and braiding. Her work appeared in the 2017 Venice Biennale and the 2014 Whitney Biennial, and her reputation has grown alongside rising recognition of textile and fabric art, for a time underappreciated as a matter of craft. Hicks’s solo exhibition “Thread, Trees, River” opens at the Museum of Applied Arts (MAK) in Vienna in December and runs until mid-April 2021. For the “A-to-Z manifesto” project with McCartney, with whom she first collaborated in 2019, Hicks reinvigorated the designer’s classic Falabella handbag.
From London and Paris, respectively, McCartney and Hicks joined ARTnews for a videoconference in September to talk about sheep, mindfulness in fashion and art, and working together as colleagues and friends.
of experiencing art?
Stella McCartney: My grandfather was a lawyer who represented Mark Rothko, Willem de Kooning, Yves Klein, Robert Motherwell, and many of the great Abstract Expressionists. He would swap his time for their work and ended up having one of the largest private collections of Abstract Expressionism in the world. But it was all from love—every single part of it was passion and pure affection for art. My grandmother actually thought he was crazy and would shout at him when he would come back with another piece of art. When I was small, my early memories would be of going into his apartment in New York, where he had many Joseph Cornells. He was great friends with Cornell. As a child, I remember there was a low shelf in his library with all of these Cornell boxes lined up. He had extraordinary work on the walls, but it was the Cornells that really captured my attention because they were so childlike and playful.
Sheila Hicks: I’m going to do a fast-forward and say that when I was in London making a show a few years ago, the director of the gallery said, “There is someone I want you to meet who I think you will like and appreciate.” That was Stella. I went to her showroom, and the first thing she talked to me about were her sheep. I am known as sort of a consultant and a problem solver. So I knew why I was there: they wanted me to do something about these sheep. To me, it was great because it was something concrete. When you meet someone for the first time there’s a lot of small talk before you can get into some kind of substance of any kind.
McCartney: I don’t think we’ve ever had small talk, you and I.
Hicks: As I remember you said, “People are not ordering or wearing the scratchy or heavy wool as much as they used to. I raise sheep out in the country and I am very worried about their future.” I loved the idea of having to be concerned and occupied about the future of these sheep.
McCartney: I have a few sheep. They are called Itsy-Bitsy, Teeny-Weeny, and Yellow Polka. I haven’t got Dot and Bikini. They grow old gracefully, and they are completely organic—and every summer we sheer them so I have all this wool. My mother and father also had tons of sheep. We never killed them so they would always live a long, healthy life. And the wool we would weave into Native American–style rugs and blankets and things. I got the wool woven into some yarn and I made a sweater—you could smell the lanolin so heavily, and it literally could stand up on its own. It was so rough and tough, hard-core wool. So, yes, that was my project for Sheila: I would love a piece by you with my organic sheeps’ wool. We are yet to do it. Every couple of weeks I’m like, What’s going on with my sheep wool?
Hicks: I keep thinking you think I’m going to make it into something wearable.
McCartney: But Sheila, you were asked what is your first memory of art. I want to know!
Hicks: You make automatic associations. For me it is sheep.
McCartney: Ah, I love you! I’m disappointed with myself that I answered it so straight-on. But we have a connection through your great heritage with Josef Albers. My grandfather was his representative, and he had art by Albers lining his stairway—millions of different colors of Albers all the way up. You knew Albers also and hung out with him…
Hicks: I don’t know if you would call it hanging out. I was under his tutelage or his reign at Yale. I went and studied painting with him before you were on the block.
McCartney: Am I right in thinking you were the first woman?
Hicks: No, but there were very few. You could count them on your fingers, with maybe toes from one foot. Albers was a strong personality and was not nuanced in his human interactions. He was [nuanced] in his painting. But in his teaching and confrontations with his students and the people who depended on him, he was rather blunt. It was I think partly due to his difficulty in handling the subtlety of the English language when he came to America from Germany. He would go straight to the point. The punctuation almost was at the beginning of his sentences. Exclamation point—straighten up and listen because here it comes! He more or less took over my life when he saw that I understood and was sensitive to color. He would give me tasks. He would come in and say, “Girl…”—he couldn’t remember my name—“Girl, do this, do that.” Then one day he came in and said, “Girl, go down to the office and sign the papers I left for you—I’m sending you to Chile.” I went to the library and looked up on the map where it was.
ARTnews: Why Chile?
Hicks: He was on a committee that was selecting candidates for Fulbright scholarships. He had a connection to Chile. He had been there himself. He liked it and had set up a kind of annex of his teaching methodology in Santiago.
McCartney: You are unlike Albers in that you react very instinctively and emotionally to what is happening around you. You are not at all Germanic in the way that you approach things. Everything is sensory in the way in which you work. You’re spirited and you have light all around you—you are joyous. For the record, when we first met, I kind of stalked Sheila. I’ve always been a huge admirer and, in the fashion industry, she has been hugely influential. I’m not sure if she even knows that or if she chooses to acknowledge that she has been a massive influence on many designers. I’ve seen Sheila Hickses on the runway, and I know that she has inspired my work. So I stalked her and she very kindly took my meeting.
ARTnews: What is most significant about Sheila’s work in the context of fashion?
McCartney: What is extraordinary is the contrast of color. There are many reasons I’m so drawn to her work, but I identify the most with her use of color. She put a piece around my neck and we walked the streets of Paris….
Hicks: We walked out of the courtyard. We went through the gate. You were wearing a beautiful…
McCartney: Paris tweed.
Hicks: And everybody on the cobblestone path stopped. Their mouths dropped open and they turned as we walked by, and I thought, I think we are on to something. I think we are OK. We walked into a café and the guy who was jerking the coffee kept making mistakes—he made three coffees before he could get one right, because he was only watching you.
McCartney: Sadly, I think it was your work, Sheila, and not necessarily me.
and what are they doing? And I thought, This is real life. If we can get along like this, we could have a hell of a good time. We could be spontaneous. We could figure out what might be interesting and what is a waste. In the fashion industry that you lead…
McCartney: There is a lot of waste. There’s so much waste that every second there is a truckload of fast fashion either buried or burned. We are like-minded in our dislike of excess. We find it vulgar and upsetting. Tell me about how you work and how you have changed in the way in which you work. When we collaborated together, you made these paperclip earrings that became about waste and the charm and beauty in things that you glance over every day and take for granted. I could see your eyes go around the room and pick up things to create with. You took a measuring tape and sat in the back of the studio while we were doing fittings, and you wove a necklace out of the measuring tape and put it around my neck. Do you remember? I asked you to sign it to me. It was my first Sheila Hicks. But I came home the next day and my cleaner had very kindly taken it apart and wound it back up into a measuring tape again!
ARTnews: What do you two like most about working with one another?
Hicks: I’m going to go straight to something very recent, when you sent over a messenger from your Paris workshop with a big package to our studio. It was unannounced. They plunked it here in the midst of all our mess and, of course, whenever your things come in, they’re so beautifully packaged that we take good care of them. It is almost like in Japan, where the package is as important as the contents. So I was already alerted to pay attention.
ARTnews: What was inside?
Hicks: We opened it and there was this series of handbags, and I wondered, What’s this all about? It was typical of Stella, sort of like, You figure it out—I’m bringing these over and dumping them in your studio. And this was obviously a fortune of precious handbags. But they were all wanting something. They wanted color. You talked before about seeing your grandfather and Albers color flashes all up the stairway. Now I’m going to switch and say that, when I walk into any given situation or place, I look for the object that is a tip-off of what a person has chosen to represent themselves. What is the object or thing that they have selected? If you start to see that, you’re going to see a conversation that could go in any direction. Oftentimes if it is a woman, I look at the handbag. I ignore jewelry because a lot of times jewelry is just to impress people or something that someone has given them or that they have bought for status. But handbags—when you dumped them in my studio, I thought, I’ve got to make something that is interesting, because there are going to be all kinds of personalities who walk into your shop or into your orbit to look at an assortment of handbags. They are going to choose one, and it is going to be their toy, their mascot, their daily companion. We can make some kind of interpretations and statements with colors that people are repelled by or attracted to.
McCartney: I feel like you use more color now than you have in the past. Would you say that I’m right in that?
Hicks: Not when I am making exhibitions.
McCartney: When you have little playful projects, do you feel that color is more appropriate?
Hicks: Well, I’m a task person. When people assign tasks, I try to figure out what the task is.
McCartney: Let me tell you a little about the bags getting dumped with you. At the beginning of lockdown, I had already started my spring collection and I was again coming back to the idea of waste and trying to be a more sustainable and conscious person in the fashion industry. I had said to my team that I really did not want to order any new fabric. I wanted to reduce what I produce this season. I wanted to focus on being more sustainable and more mindful, and to look at how we could go about that. Then came this idea of an alphabet. Every letter had a word associated with it, like a manifesto. A is for Accountable, B is for British, C is for Conscious, etc.
ARTnews: How did you choose Sheila to work on the letter F?
McCartney: F is for Falabella, a classic bag that we created. Sheila’s art is never going to get thrown away. It is so mindfully, beautifully crafted that it will be there for life and will get passed down from generation to generation. When I design, I try to create things that people won’t want to throw away—that they can either gift or hand down or resell. This is a bag that has been with us for a long time that people love. It has a softness to it. It has a hardness to it. And it is vegan, with recycled lining that is made out of ocean plastic waste. We are very proud of this bag, and I wanted Sheila to reinvigorate it with her own twist. She could adorn it or interrupt it to make individual pieces that could become even more cherished, even more loved and valued.
ARTnews: What was her immediate reaction like?
McCartney: She was kind of hesitant. What I love about Sheila is that she’s not here to BS anyone, and she was like, “I don’t get it. I don’t understand.” But then she brought new life to it.
Hicks: I tried take this coveted object and particularize it in some memorable way without making it less nice. How do you take a Stella McCartney bag and make it better? You have to be culottée to do that—in French that means you have to have balls. You don’t want to make it worse and you can’t ruin it, but how are you going to particularize it? Maybe by adding a sense of humor to it. In these times, I think that is one thing we all need.
McCartney: Does color add a sense of humor?
Hicks: Yes, definitely. Even when they bring food to you on a table, people notice if it has some color.
McCartney: Do you find it tiring seeing everything? Has it ever been a problem for you? I see you seeing everything—your eyes dart around the room, almost like a computer.
Hicks: It’s an advantage, believe me, not a disadvantage.
ARTnews: Stella, why was it important for you to work with artists on your latest collection?
McCartney: I wanted to assign each piece a different meaning. Z, for example, is for Zero Waste, and for that piece I used strips we saved. In the fashion industry we create our own prints, and most of the houses burn or bury leftovers. They don’t sell it or give it away because it is their own individual print and they don’t want anyone else to have it, whereas I save them because I can’t bear the thought of throwing them away. What I did was take what I had sitting in a warehouse and make a zero-waste dress.
Also, while creating this collection, I was really conscious of my community of friends during lockdown. Most of my friends are artists. I was isolated on my own, reaching out to my artist friends and thinking this was no different [from how artists] work. For my process, there are usually lots of people in the room from day one. So I thought I would love my circle of great artist friends to visualize these letters and words so it wasn’t just me alone. I wanted to bring artists in to create another layer of recognition.
ARTnews: Sheila, how do you look at or think about fashion?
Hicks: Before I even see a dress, I touch it. I close my eyes and touch it, because I know it is going to touch my body. To get the maximum out of the minimum, you have to have beautiful material. And then from the material, move to the color and the cut, the tailoring, the draping. That’s my sequencing. I don’t start with color. I start with tactility.
McCartney: I start with texture too. In the design process we have to choose our fabrics first.
Hicks: We should overprint on top of the old prints—make a collection of printing on printing.
McCartney: I’ve got you, girl! We should do a whole other project.
Hicks: I went into a printer’s workshop where they were printing one of my books, and I saw in the trash all the pages they threw away because they were misprinted. We recuperated all of them and made a book out of the mistaken pages.
McCartney: I want one of those! Do you find it hard to tell the story of your work? For me there is so much depth to how I work in fashion—not just the design but the sourcing and being environmentally conscious of our fellow creatures—but I find it hard to tell that story. Do you feel people need to know the story of your work—or is that irrelevant to you? You know, the little piece of paper on the museum wall that tells your story?
Hicks: You have to alert their curiosity. In this digital age, everybody is so full of knowledge, awareness, and interactive communication that there are know-it-all characters who consider themselves critics of everything. I think you’ve got to find a way to puzzle them and stop them dead in their tracks, so they say, “Oh my god, I don’t get it, I don’t know what this is. But it is really interesting…”
McCartney: One of the reasons I wanted to get artists involved is because I feel like something critical to what we do falls away. I need to explain to someone that my shoes are vegan and they don’t have animal glue in them. I want them to notice but also not to notice, and I’m different in that, in a lot of ways, I want to erase the norms of the fashion industry. I want it not to be noticeable that you haven’t got a crocodile bag or leather bag, but I want to replace a very destructive and harmful side to the industry that I’m in.
Hicks: I think you are more a missionary and I’m more of a troublemaker.
McCartney: I’m a troublemaker too. That’s why we like each other.
ARTnews: Sheila, the level of recognition and regard given to art made with textiles has soared in recent years. How do you feel about that at this stage in your career?
Hicks: What street are we going to walk down? Are we going to walk down the textile street or the art street or the design street? What I do is so off the wall that people have a hard time putting it into a category. Just when somebody wants to talk about it as art, you’re going to have 10 people shake their finger and say, “C’est très mignon mais c’est pas de la tapisserie”—it is very cute but it is not tapestry. When I came into orbit, tapestry was even higher in the hierarchy than painting. When Charles de Gaulle wanted to reestablish the prestige of France after the Second World War, what did he do? He sent abroad exhibitions of French tapestry.
Then we go into fashion and come to the whole beautiful industry of the silk weavers. And from there it is downhill. What were they doing in the United Sates? They were growing cotton down on the plantations—nobody was producing silk. I started at the bottom and was dismissed by everybody as not-art, not-textile, not-tapestry, not-design. It was decorative.
McCartney: How much has architecture informed what you do? Do you take interiors into account when you’re creating?
Hicks: Always. When I sit down someplace, I look around and see the space and the architecture and the light. And from there we move on. I don’t focus on the cup on the table until I’ve seen where I am sitting.
McCartney: What do you not like in a room?
Hicks: I hate to sit in a room and look at men wearing stupid neckties.
McCartney: [Laughs.] One of the artists that has joined you in my alphabet is William Eggleston. He always wears neckties.
Hicks: But are they fantastic neckties? They are guys’ one chance to make a statement.
McCartney: It’s the only gig they’ve got—I hear you. But he wears them very well. He pulls it off. It’s a good look.
Hicks: Imagine how exciting it was for me to go to Saudi Arabia in the 1980s and sit in a meeting where all the men were draped—every single one wearing head-to-floor textiles. It sticks with me because the guys were moving and changing positions and you’d see textiles moving all around the room. It was a real kick. These were not girls wearing short skirts and showing their legs and trying to call attention to their presentation. They were very modest and covered up, with mountains of material sitting there. It was a real thrill.
McCartney: It’s a definite flipside from what we are used to.
Hicks: I’ve been waiting…. Has anybody done a fashion show where people come in and walk the whole way in reverse?
McCartney: Oh, I don’t know. It’s very David Lynch. Probably—and if not, I’ll do it.
Hicks: I think we should.
McCartney: But what happens when they fall over and all of the models go down like dominoes, though? Are you going to take the blame when that happens?
Hicks: They’ll figure it out. It would be so nice to see things moving around the runway in reverse, like a film. You know how much fun it would be looking at a Charlie Chaplin movie in reverse? Or Buster Keaton? Get the guy who is putting the music on the runway to play in reverse. It will be fascinating.
A version of this article appears in the Winter 2021 issue of ARTnews, under the title “Stella McCartney + Sheila Hicks.”
Here Are Trailblazing Black Leaders in Footwear and Fashion Who Changed the Game in 2020
At a critical moment in the battle for racial equality, FN highlights influential Black leaders who led bold protests, engineered game-changing initiatives and fought tirelessly for social justice reform in 2020. (The below names are in alphabetical order. To see a concurrent list of fashion coalitions that pushed for equality in 2020, click here.)
SNEAKER STRATEGIST & DESIGNER
You would be hard pressed to find someone with a voice as strong as Jazerai Allen-Lord. Throughout the year, the outspoken sneaker enthusiast — who co-founded the True to Size brand strategy agency that emphasizes amplifying marginalized voices — used her social media platforms to share the stories of Black men and women within the industry. Additionally, she penned articles and columns for more mainstream outlets addressing the pressing issues of today from both an industry and a consumer perspective. One of her most recent works is “Planting the S.E.E.D. for the Next Generation” — specifically the educational program’s efforts geared toward Black women who are interested in design — which can be read on the Adidas Confirmed app.
She might be best known for curating the dazzling fashions seen on Beyoncé and her work on “Black Is King.” But Akers is using her powerful position in fashion to help Black-owned brands in fashion and beauty gain more visibility. In a short time, her “Black Owned Everything” Instagram account has amassed 189,000 followers.
DIRECTOR OF APPAREL OPERATIONS, NEW BALANCE
With more than a decade at New Balance under her belt, Blunt has recently taken her influence at the brand far beyond apparel operations: This year, she led a team of designers and creatives to launch New Balance’s first-ever Black History Month capsule collection. In addition to lending her voice to FN’s Diversity & Inclusion webinar, “Race Revolution: Apologies & Action,” this summer, Blunt plays a critical role in New Balance’s D&I leadership task force, helping the brand shape its strategy around inclusion and equality at all levels.
ASSISTANT APPAREL DESIGNER, ADIDAS
Bond’s courageous decision to put a name and face to diversity and inclusion challenges at Adidas amplified the reality and extent of Black employees’ frustration with the brand, and likely was a critical element in fostering transformation. Bond, in June, wrote an open letter challenging Adidas’ leadership to execute tangible changes in the treatment and upliftment of Black staffers: “I can no longer stand for Adidas’ consistent complacency in taking active steps against a racist work environment. This is not business as usual,” she wrote. For several weeks, Bond led daily protests in front of the company’s Portland, Ore., HQ and, even after the company released heightened D&I objectives in June, she persisted in her efforts for ongoing accountability, protesting into August.
WASHINGTON MYSTICS STAR; CONVERSE ATHLETE
In 2019, Natasha Cloud won a WNBA title with the Washington Mystics. In 2020, she didn’t step foot on the court. The baller — who inked a deal with Converse at the beginning of June — revealed toward the end of the month that she would forgo the 2020 WNBA season to focus on social justice reform.
PRESIDENT, COUNCIL OF FASHION DESIGNERS OF AMERICA (CFDA)
After receiving some blowback for not doing enough around equality in fashion, CFDA made
a big move when it named CaSandra Diggs as president. She is the first woman and first person of color named to the role since the organization was founded in 1962. With the U.S. fashion industry at a critical crossroads, Diggs will help define the future at a time when reinvention and diversity is key.
FOUNDER, PENSOLE FOOTWEAR DESIGN ACADEMY
Edwards’ far-reaching efforts to build and develop a pipeline for minorities in the footwear business have been instrumental in reshaping the lives of thousands of Black youth who may have otherwise lacked avenues for career advancement. He launched Pensole in 2010 and has steered the design academy to fruitful partnerships with New Balance, Puma, Under Armour and Vibram. The 30-year industry veteran — one of only six designers to ever design an Air Jordan sneaker — in 2019 collaborated with the Footwear Distributors & Retailers of America to launch the first-ever African American Footwear Forum, aimed at amplifying the voices and unity of Black professionals in footwear. He is a foremost voice in industry conversations centered on the inclusion and advancement of Black people in footwear and has worked with Nike, Timberland, Vans, The North Face, Allbirds, Adidas and Foot Locker to help facilitate their investments in the Black community.
DESIGNER & CREATIVE CONSULTANT
The creative challenged Nike Inc. in June over its financial commitments to the Black community, calling it “a very expensive band- aid,” and demanded more transparency of its inner workings. Emory went a step further by withholding his collab with Nike-backed Converse until the company’s shortcomings were addressed. Four months later, Emory — through his Denim Tears imprint — delivered the Chuck 70 collaboration, a silhouette dressed in the African American flag, with an accompanying commitment from Converse to encourage the Black community to vote.
VP OF STRATEGY, CORPORATE DEVELOPMENT & STRATEGIC INVESTMENTS, FOOT LOCKER
Eight-year Foot Locker exec Vladimir Estiverne wears many hats in his role with the retail giant. However, this year, the company tasked him with a project it revealed in June: looking after its five-year, $200 million investment to support the Black community through economic development and education initiatives. Also, Estiverne serves on Foot Locker’s Blacks United in Leadership and Development employee resource group and is a steering committee member of the “social justice communication lab,” The Opportunity Agenda.
Throughout this tumultuous year, Treis Hill has used his social media platforms to champion the efforts of others who are fighting racial injustice. Most recently, he celebrated Tremaine Emory and his African American flag-bearing Converse Chuck 70 collab. However, Hill and Alife have also delivered several social justice efforts of their own. At the start of the year, Alife released hoodies in its signature gray bearing the names of pivotal figures in African American history to much fanfare. However, as violence against Black men and women dominated headlines, its celebratory efforts quickly turned into a fight against racial injustice. That same hoodie would arrive in May, this time with the name of a Black man who was killed this year: Ahmaud Arbery. Since then, Alife has ramped up its social justice efforts, including the launch of “Stuy Talks” in July, a series of conversations on social injustice, police violence and racism in conjunction with Brooklyn Scholar Athletes and Brooklyn Combine.
FOUNDER & CREATIVE DIRECTOR, BROTHER VELLIES; FOUNDER, 15% PERCENT PLEDGE
While many fashion players spoke out against racism and inequality, Aurora James took definitive action when she launched The 15% Pledge. The entrepreneur and designer, who has consistently worked to support female and minority talents, called on retailers to pledge 15% of their shelf space to Black-owned businesses. (Black people represent about 15% of the population in the U.S.) In addition to bringing much-needed attention to the lack of Black representation at retail, the move has fueled immediate and meaningful change at a time when it’s needed most. Macy’s, Sephora, Rent the Runway and West Elm are among the major names who have already committed, and a determined James is keeping the pressure on.
LOS ANGELES LAKERS FORWARD; NIKE ATHLETE
Early 2020 was marred by the tragic death
of Los Angeles Lakers legend Kobe Bryant; however, LeBron James wrapped the 2019-20 NBA season on a high note, earning yet another championship for the storied franchise. At the same time, he made just as many headlines for activism efforts as game action. His most recent initiative is “More Than a Vote,” an organization geared toward fighting racist voter suppression. His efforts led to a partnership with the Los Angeles Dodgers to turn Dodger Stadium into a polling station for the upcoming presidential election and the recruitment of 10,000 poll workers in “vulnerable Black communities.”
RAP STAR; ENTREPRENEUR
The rap megastar with ties to Puma, who has become more of an activist in recent years, ramped up his efforts in 2020. For instance, the artist (born Shawn Carter) was instrumental in getting the NFL in February to donate $100 million to criminal justice reform. Also, his Reform Alliance organization worked to get California Gov. Gavin Newsom to sign AB 1950 into law, which will limit probation sentences in the state to no more than one year for misdemeanors and two years for felonies.
OWNER, CHARLOTTE HORNETS; NASCAR TEAM OWNER
The spotlight has been on NBA icon Michael Jordan throughout much of the coronavirus pandemic, thanks to his acclaimed “The Last Dance” docuseries, several high-profile sneaker releases and a new signature shoe, the Air Jordan 35. However, the retired athlete’s most notable moment came in early June when he, along with his Jordan Brand imprint, revealed a $100 million donation over the next 10 years to racial equality organizations. In July, the company revealed the first nonprofits that would receive donations: NAACP Legal Defense and Educational Fund Inc., Formerly Incarcerated & Convicted People and Families Movement and Black Voters Matter.
FOUNDER & CREATIVE DIRECTOR, PYER MOSS; VP OF CREATIVE DIRECTION, REEBOK
When the pandemic hit New York hard, Jean- Raymond immediately stepped up — turning his headquarters into a PPE collection site and setting up a $100,000 fund to help minority- and women-owned businesses stay afloat. A few months later, he teamed with French luxury powerhouse Kering to launch the “Your Friends in New York” platform to support rising talent and empower the next generation of entrepreneurs. All of that work is garnering major attention across the industry. After taking home FN’s Person of the Year award in 2019, Jean-Raymond — who was promoted to VP of creative direction at Reebok in September — racked up more big honors this year, as CFDA’s menswear designer of the year and Harlem’s Fashion Row designer of the year.
The former NFL quarterback hasn’t taken a snap under center for years, and yet Kaepernick is more discussed now than ever. The athlete- turned-activist continued his fight against racial injustice in 2020, most notably through a partnership between his Kaepernick Publishing and the Medium publication Level that will yield 30 essays and conversations over four weeks. The quarterback will focus on pressing issues, including the divisive topic of abolishing the police and prisons.
NORTH AMERICA VP OF MARKETING, FOOT LOCKER
The executive’s work to help Black men and women advance in the footwear industry knows no bounds. Last year, Richard McLeod helped launch Foot Locker’s No 1 Way Design Program, in conjunction with Pensole Footwear Design Academy, to put the spotlight on design hopefuls from Historically Black Colleges and Universities. This year, his efforts were internal, landing a spot on the Foot Locker Diversity & Inclusion Council. McLeod’s efforts within D&I are far from new and have always been a focus. “I want to be known for driving change, as someone who wasn’t afraid to take risks, learn and try something new,” the exec said in an OpEd published by FN in October 2019. “I have a love for the people I work with and want to ensure under my leadership [that] I am known for growing and developing each and every one of them.”
WTA TENNIS STAR; NIKE ATHLETE
The young star is determined to be a champion on and off the court. The US Open winner used her platform to make a huge statement during the 2020 tournament by wearing seven different face masks with the name of Black victims of police brutality and racial injustice. A week earlier, Osaka sat out the semifinals of another tournament to protest the shooting of Jacob Blake, who was shot by police in Kenosha, Wis.
CHIEF DIVERSITY OFFICER, MACY’S INC.
Prior to the racial uprising of 2020, Macy’s Inc. was carving out its place as an industry leader in diversity and inclusion strategy. Outler is the woman at the center of the department store’s aggressive plan, which challenges itself and the broader retail sector to move the needle on equality. Her “five-part approach” includes a requirement for 50% representation of gender/ gender identity, ethnicity, age, size and disabled persons in Macy’s advertising by 2020; 30% ethnic diversity at the senior director level and above by 2025; and diverse supplier spend of at least 5% by 2021. Last week, in a huge move, Macy’s became the biggest retailer to sign Aurora James’ 15% Pledge.
ACTOR, SINGER & ACTIVIST
When Billy Porter talks, people listen. The ardent activist worked tirelessly to get out the vote for Joe Biden and Kamala Harris. Bold and outspoken, Porter educated his millions of followers about the significant challenges that members of the Black and LGBTQ+ communities face in today’s America, from police brutality to voter suppression.
VP OF GLOBAL FOOTWEAR, CONVERSE
Converse is one of the only major sneaker brands with a Black CEO at the helm. However, G. Scott Uzzell isn’t the lone powerful Black leader on staff. Brandis Russell, its VP of global footwear who has been the voice of several of Converse’s biggest product initiatives, is one of its strongest voices — so much so that the impact she has had on the company culture led her to be named to the Nike Inc. D&I Acceleration Task Force in June.
PRESIDENT & CEO, CONVERSE
Converse CEO G. Scott Uzzell is one of the few Black executives leading a high-profile footwear company — and hasn’t shied away from using his position to create change. “I received a phone call from a senior person at Nike a couple days after the passing of George Floyd, and the phone call was that ‘You’re black and you’re a CEO and today they should intersect. And Scott, you’ll make us all better by doing that because of your unique experiences, because there’s not many of you,’” Uzzell recalled. After some thought, he realized not all of his responsibilities will be found on an earnings statement. “There’s this trail that I’ve walked throughout my career, that many of my peers have not walked, and I can bring unique thought,” Uzzell said.
NASCAR CUP SERIES DRIVER
Inking a deal with Columbia Sportswear Co. and being named the driver for Michael Jordan’s newly formed NASCAR team were huge moments in 2020 for Bubba Wallace — but they pale in comparison to what defined his year. In June, a door pull rope tied in the shape of a noose was found in his garage stall at Talladega Superspeedway in Alabama, which led to an FBI investigation that revealed he was not the target of a hate crime. However, Wallace became a central figure in the modern civil rights movement, using his social media platforms to promote togetherness.
OWNER, THE WHITAKER GROUP (SOCIAL STATUS, A MA MANIERE, A.P.B. & PROSPER)
The owner of several retail banners used his platforms to offer services aside from products throughout the year. Most notably, Whitner and Social Status delivered the “Free Game” educational series via the community-focused BeSOCIAL programming online. However, the most profound moment came in October, when then-Vice Presidential candidate Kamala Harris visited the Charlotte, N.C., location of Social Status to engage Whitner in a conversation in front of press about voting and the importance of positive energy.
CO-FOUNDER & HOST, CLAIMA STORIES
Williams has taken the modern-day mantra “reach back and pull forward” to heart over the course of his career. In 2019, the Baton Rouge, La., native — who has spent time working in marketing and product creation at sportswear giants including Adidas — launched professional development podcast “Claima Stories.” The name stands for “claim a seat at the table” and invites leaders from footwear and adjacent industries to share their accomplishments and offer advice on how minorities can break in or advance in their careers. Williams early this year landed his dream job in Nike’s entertainment marketing department, but stepped away in August, amid national unrest over racial injustice, to dedicate all of his efforts to helping Black and Brown people discover a path to professional success.
PPRESIDENT, JORDAN BRAND
Williams leads the vision, strategy and growth of the billion-dollar Jordan Brand globally. Since taking the helm early last year, he has championed the brand’s community efforts, announcing in July a joint commitment with Michael Jordan for $100 million over 10 years to fight systemic racism. Initial donations were made to the Legal Defense Fund, FICPFM and Black Voters Matter, but the brand has also introduced educational content that highlights key issues facing the Black community. In May, Craig wrote a powerful editorial about the Jordan Wings program, noting the brand’s ongoing commitment to level the playing field for kids who need it, with scholarships that remove barriers to higher education.
GLOBAL VP & GM OF BASKETBALL, ADIDAS
As Adidas faced a pivotal moment in its diversity and inclusion journey this year, Wise was one of the leadership voices active in the movement toward meaningful change. His insights helped inform and build out the brand’s United Against Racism (UAR) pledge, which in June became arguably the most powerful statement of Adidas’ commitment to progress. Now, as co-chair and executive sponsor of the brand’s U.S. United Against Racism Accountability Council, he works closely with Adidas’ North American president, Zion Armstrong, to stem race issues. To ensure the company’s efforts reach external communities, Wise helped launch Honoring Black Excellence, an initiative to engage with the Black community via brand-sponsored activations. He is also a member of Adidas’ Global Committee to Accelerate Inclusion and Equality.
This Tech Executive’s WFH Outfits Go Beyond the Hoodie
In a bi-weekly series, we’re asking female executives, founders, CEOs—basically, boss ladies—about their “power suit” a.k.a. the outfit they wear every day for easy dressing to conquer whatever the job throws at them.
When you get the chance to speak to powerful leaders in their fields, you use the opportunity to learn all you can from them—how they got to where they are, their goals and values, even why they make the wardrobe choices they do. That’s precisely what I did when I hopped on a call with Squarespace’s chief marketing officer Kinjil Mathur. Mathur has been with the company for almost four years, overseeing the business’s growth strategy. “What that boils down to is: How do we help as many people as we can to get our tools into their hands and help them become successful?” she says. “We don’t stop at just getting an ad in front of someone and buy/convert. We want to nurture and grow the business, to stay with the entrepreneurs through their whole journeys.”
Squarespace is a platform that helps people create their own websites via easy-to-use templates and other software services for brands. Mathur says that the company empowers millions of individuals to build their personal brands and make their mark on the world.
This message was especially important during the pandemic, when, she notes, many people—small business owners, the newly jobless who wanted to market out a side hustle—were in need of the platform’s services, whether that be selling merchandise or scheduling appointments via a website.
Mathur’s passion for tech started at an early age, influenced by her parents. (Her dad was an engineer while her mother was in medicine.) She got into computer programming in high school and, post-college, found herself working as a technology risk consultant. However, she found that path a bit too technical and soon an opportunity to join Neiman Marcus came knocking. There, she would dive head first into the space between data and marketing strategy, what Mathur calls the start of her actual career.
“I went into Neiman Marcus, where it was super intimidating,” she recalls. “I had the task of [helping a traditional company] use consumer data to build an online business. That kick-started my understanding of how to apply statistical modeling and data analytics to lead marketing and business strategy.”
She went on to spend a long stint in fashion media, adding names like Saks Fifth Avenue and Conde Nast to her resume. She then took all the knowledge she had gathered and finally planted her roots back in tech again at Foursquare (she was its CMO from 2014 to 2017) and now Squarespace.
Having experienced so many different industries, Mathur says that her one piece of advice for young women (and men) who want to get into tech is to keep an open mind about their careers. “Don’t ever think there is a perfect career path for you because that’s what you’ve been told you should be. The best [job], even in my own [career], is when I am open to anything. I am industry agnostic. I just want to go where I think the challenge is super interesting and the problem I’m going to solve is what I want to spend my time on,” she says.
She advises aspiring techies to talk to people, absorb content about the different roles they’re interested in, and figure out what is a good match to their skill set instead of being completely set on something specific. Finally, if anyone is really, truly stuck, you can just slide into Mathur’s DMs—she’s always happy to chat with those seeking advice.
This desire to share her experiences and give back extends to the committees she’s part of. Mathur is a member of the CFDA Fashion Trust and a member of NYCxDesign, where she helps up-and-coming design folks think about what is the business of fashion or business of design, how to build a brand, and how to get people to pay attention to it.
Ahead, Mathur chats candidly about what she wears to work (at home) as an executive and what her personal style is like. (Hint: This tech powerhouse’s style is more in line with the who’s who of fashion you follow than Mark Zuckerberg.)
“It definitely has changed because I have a little baby boy, Ceyone; he’s a year-and-a-half and I’m now at home with him in the mornings. We’re all playing a lot of different roles at home: I’m playing a full-time Squarespace exec and a full-time mom—you don’t get to turn it off even if you have help. I’m in his space, he’s my coworker. My morning routine is when I play that first role, I am a mom from the minute I wake up to when I take my first meeting.
I wake up every day at 6:30 a.m.—Ceyone’s my alarm clock. We both have breakfast together, and he’s kind of like me: We’re the brightest and most alert in the morning. I launch straight into reading sessions with him, so we probably crunch through five or six books. The saying is ‘to be a good human is life’s work’ and I believe that. We’re reading books about what it is to be a kind human. We’re going through the Pantone colors, we’re looking at shapes and architecture, we’re reading books all about diversity and inclusion. I’m trying to take him through everything I want him to experience all that he’s not experiencing in the world right now.”
Her Getting Dressed Strategy
“Pre-pandemic, I would think about what I was going to do that day and dress for it. For example, if I had a board meeting, if I was going to events after work, if I was doing a creative brainstorm or strategy sessions. My style has always been in service of whatever agenda I had for that day. I don’t think that’s changed [for COVID], it’s just a different type of agenda. Now, truthfully, I am not moving a lot, so comfort is first and foremost. Before it was about cuts and structure and now it’s texture. I want soft, huggable materials where I can pick my son up and, if he’s getting something on my shoulder or snuggling in, it’s all good.
There are moments when I’m still thinking through my agenda and whether I need to make a statement. Statements are different now—you don’t get the whole look, you get it from the chest up. I have a no-shoes-in-the-home rule, so I don’t even wear shoes anymore. That’s a big part of a whole look that’s out the door. Now I’ve been wearing written statements when I really want to make a statement. All through [the] Black Lives Matter [protests this summer], from an executive stand point, it was really important we were declarative and prioritized efforts in making space to have the conversations we needed to have, [so] I really turned to wearing my Lingua Franca sweater that says ‘give a damn.’ That was my power piece and it was a literal statement. It was worn very purposefully. I still think about that when it comes to dressing: Who am I going to be in front of and what am I trying to say?
[When the pandemic started], my husband and I never fled New York City, we stayed here and hunkered down. We felt like it was important to support the businesses around us and we were buying merchandise. The Grand Banks group is a Squarespace customer and are so awesome, and they were struggling. They launched all this new merchandise so I bought sweatshirts from them to support, and I wore those every time I was meeting with the team and [thinking about] what our COVID relief plan was.”
Her Work-From-Home Uniform
“I am a big Isabel Marant fan, always have been. What the beautiful thing is, everybody’s come out with their own versions of sweatshirts or sweatpants. Marant has these wonderful sweatshirts and over-exaggerated styles. I have these really baggy paper bag pants from her and these sweaters that I wear a lot. Aimé Leon Dore has these amazing sweatshirt and sweatpants combos. They’re thick and fitted, so I still feel put together. I have the all-black and all-cream, which I alternate between.
I’m in meetings all day. I keep my yoga mat next to me, and if I can get a stretch session in for 15 minutes in-between meetings, I’ll try to do that, so I’m not opposed to wearing fitness outfits. I switch between Nike gear and Alo Yoga. Another brand called Twenty Montreal is a go-to for me, too, because they have biker shorts, sweats, blouson sleeves, and crop tops so you can wear high-waisted leggings with stretch. I’ve worn two pairs of jeans and they’re both these Isabel Marant—super baggy and comfortable ones—but most of the time I am in elastic-waist pants, and it feels really good.
I think it’s important to find those moments to still dress up. Like if I happen to step out for dinner, I’ll use that as an opportunity to dress up. Otherwise, it’s more about the practicality when you’re at home. I try to wear jewelry when I can because you only have so much real estate to make a statement. I love Soko, which is this brand that finds female artisans in Africa and micro-finances their businesses.
I never have a bag anymore because I am always in pants. If I leave the house, I put my wallet in the back pocket and keys in the front pocket. Before, I was using this canvas Saint Laurent fit-everything tote. I love Cuyana bags, too, for work. They’re structured, not labelled, and perfect for laptops or when I was carrying all kinds of baby, new mom-related items.”
The Words That Describe Her Power Outfit
“This year, it’s my ‘give a damn’ sweatshirt. You really had to be a leader that wanted to have those tough conversations [this year], and come from a place of vulnerability and that takes a lot of empathy. It starts with giving a damn. That was the sweatshirt that I wore a lot and those three words have come to mean something [more] than when I originally bought it.”
“This year, the thing that stuck most with me is the line ‘you may be too much for some people. Those are not your people.’ I love that so much because with everything we’ve had going on—from social movements to major conversations around the elections—you can always get ‘you’re too intense, you’re too vocal, you’re too passionate, you’re too emotional, you’re too idealistic, you’re too realistic.’ I am over the toos. If you really want to have a sense of belonging, you have to be true to who you are, and I feel that more this year.”
Shop some of favorite Mathur’s favorite brands, below.
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The Black Friday Fashion Sales Are Here And They’re SO Good
We’ve had plenty of deal-hunting practice this fall, from a rescheduled Prime Day to a better-than-ever Singles Day. Meaning, now, we’re perfectly primed for the main event that sale-savants bide their time for all year long: Black Friday (ever heard of her?). For many, the day after Thanksgiving is spent sleeping off a mashed-potato hangover; for others, it’s the annual moment of truth in which all of the season’s gift-shopping goes down. While some may seek markdowns on big-ticket home buys or enviable beauty bundles, this page is specifically reserved for scoring wearable duds on the cheap.For the fashion crowd, we crafted this roundup of every single style sale happening around the World Wide Web. We’ve been monitoring the fashion deals for weeks, and now that November 27 is here, the discounts are in full swing — and they’re spectacular. Whether it’s a too-good-to-be-real discount on a dreamy cashmere sweater or an incredibly sweet deal on comfy-chic ankle boots, we sussed it out for your holiday shopping pleasure ahead. Click through to find the best of Black Friday’s slashed-price fashion — and bookmark this story for updates as the weekend goes on.At Refinery29, we’re here to help you navigate this overwhelming world of stuff. All of our market picks are independently selected and curated by the editorial team. If you buy something we link to on our site, Refinery29 may earn commission.AnthropologieDates: Nov. 24 – 30Sale: 30% off sitewide Promo Code: Discount applied at checkoutAmadi Alma Cozy Cardigan, $, available at AnthropologieDagne DoverDates: Now – Dec. 2Sale: 20% off sitewidePromo Code: SHINEBRIGHTDagne Dover Ace Fanny Pack, $, available at Dagne DoverLululemonDates: Nov. 23 – ?Sale: Black Friday specials sitewidePromo Code: Nonelululemon Free To Be Serene Bra, Light Support, C/D Cup, $, available at lululemonNordstromDates: Now – Dec. 1Sale: Cyber week deals, up to 50% off select items sitewidePromo Code: NoneBorn Elaine Chelsea Boot, $, available at NordstromEtsyDates: Nov. 23 – Dec. 2Sale: Participating sellers offering up to 60% offPromo Code: NoneGrace Personalized “Mama” Script Necklace, $, available at EtsyEverlaneDates: Nov. 27 – 30Sale: 20-40% off select stylesPromo Code: NoneEverlane The Alpaca Sweater Tee, $, available at EverlaneGirlfriend CollectiveDates: Nov. 24 – 30Sale: 30% off sitewide, up to 50% off leggingsPromo Code: Discount applied at checkoutGirlfriend Collective Crop Puffer, $, available at Girlfriend CollectivePactDates: Nov. 24 – 29Sale: Up to 45% off select productsPromo Code: NonePACT Split Hem Lounge Pants, $, available at PACTCole HaanDates: Now – Limited timeSale: Up to 50% off almost everything, plus an extra 10% off your order with code THEBESTPromo Code: NoneCole Haan Grand Crosscourt Flatform Lace-Up Sneaker, $, available at Cole HaanRicher PoorerDates: Now – Nov. 30Sale: 30% off sitewidePromo Code: Discount applied at checkoutRicher Poorer Recycled Fleece Sweatpant, $, available at Richer PoorerUniversal StandardDates: Limited timeSale: 25% off holiday exclusives, up to 50% off stylists curated outfit setsPromo Code: HOLIDAY25Universal Standard The Cold Front Outfit, $, available at Universal StandardUrban OutfittersDates: Nov. 25 – 28Sale: Buy one, get one 50% offPromo Code: NoneUrban Outfitters Jonna Hiker Boot, $, available at Urban OutfittersUrban OutfittersDates: Nov. 29 – 30Sale: $10 off orders worth $50+, $50 off orders worth $150+, $75 off orders worth $200+, or 25% off your entire purchasePromo Code: NoneH&MDates: Now – Nov. 27Sale: 30% off sitewidePromo Code: NoneH&M Rib-knit Cardigan, $, available at H&MThe North FaceDates: Now – Nov. 30Sale: Up to 50% off select stylesPromo Code: NoneThe North Face Thermoball Eco Jacket, $, available at The North FaceMadewellDates: Nov. 24 – 29Sale: Up to 50% offPromo Code: VERYMERRYMadewell Eldridge Zip Coat, $, available at Madewell& Other StoriesDates: Now – Nov. 27Sale: 25% off sitewide Promo Code: Discount applied at checkout& Other Stories Statement Collar Knit Cardigan, $, available at & Other StoriesUniqloDates: Nov. 20 – 30Sale: Black Friday deals on down, fleece, and winter essentialsPromo Code: NoneUniqlo Seamless Down Parka, $, available at UniqloAmazonDates: Now – limited timeSale: Black Friday Deals on women’s fashion including up to 50% off Tommy Hilfiger, up to 40% off Adidas, up to 40% off Levi’s, up to 40% off C9 Champion, up to 50% off Calvin Klein, up to 30% off Amazon brands Promo Code: NoneAmerican Apparel Crop Carpenter Jean, $, available at AmazonFree PeopleDates: Nov. 25 – 30Sale: Up to 50% off select items (changes daily)Promo Code: NoneEndless Summer Syd Poplin Midi Dress, $, available at Free PeopleNordstrom RackDates: Now – Nov. 30Sale: Daily Deals: limited-time discounts that change dailyPromo Code: NoneMICHAEL Michael Kors Missy Belted Wool Blend Trench Coat, $, available at Nordstrom RackAdidasDates: Nov. 22 – 28Sale: Up to 50% off select itemsPromo Code: NoneAdidas Ultraboost 20 Sneakers, $, available at AdidasOutdoor VoicesDates: Now – Nov. 30Sale: Up to 70% off sitewidePromo Code: NoneOutdoor Voices Powerhouse Bra, $, available at Outdoor VoicesReformationDates: Nov. 26 – 30Sale: 30% off sitewidePromo Code: NoneReformation Hart Cashmere Sweater, $, available at ReformationShopbopDates: Now – Nov. 24Sale: Five Days of Shopbop: discounts from 25% – 50% on select brands Promo Code: ESSENTIALVince Kalina Shearling Slides, $, available at ShopbopShopbopDates: Now – Nov. 29Sale: 20% off your order of $200+Promo Code: SHOP20Freda Salvador The Ace Lace Up Booties, $, available at ShopbopASOSDates: Now – Limited TimeSale: Up to 50% off select styles, plus 20% off on all orders over $50Promo Code: MOREPLSYAYNew Love Club Daisy Print Oversized Tee, $, available at ASOSZapposDates: Now – Limited timeSale: Up to 50% off daily dealsPromo Code: NoneThe North Face Osito Jacket, $, available at ZapposCOSDates: Nov. 27 – 29Sale: 25% off sitewide when you spend $200 or morePromo Code: NoneCOS Belted Wool-Cashmere Coat, $, available at COSVerishopDates: Nov. 21 – 30Sale: Get 25% off fashion (and 15% off home and beauty) when you spend $100+ Promo Code: HOLIDAYFree People Chloe Leopard Duster, $, available at VerishopEddie BauerDates: Nov. 26 – 30Sale: Up to 50% off your purchasePromo Code: NoneEddie Bauer K-6 Hiking Boot, $, available at Eddie BauerTargetDates: Now – Limited TimeSale: Black Friday deals all month longPromo Code: NoneA New Day Balloon Sleeve Boat Neck Pullover Sweater, $, available at TargetCoach OutletDates: Limited timeSale: 70% off sitewidePromo code: NoneCoach Lewis Shoulder Bag, $, available at Coach OutletReebokDates: Now – Limited timeSale: Up to 50% off select stylesPromo Code: BLACKFRIReebok Club C 85 Sneakers, $, available at ReebokCarbon38Dates: Now – Limited timeSale: 30% off sitewide, plus an additional 30% off Daily DropsPromo Code: THX30Carbon38 French Terry Jogger Pant, $, available at Carbon38L.L. BeanDates: Now – Dec. 1Sale: 15% off your orderPromo Code: THANKS15L.L. Bean 8″ Bean Boots, $, available at L.L. BeanLo & SonsDates: Now – Nov. 29Sale: Up to 70% off select stylesPromo Code: NoneLo & Sons The Rowledge Backpack, $, available at Lo & SonsNet-a-PorterDates: Now – Limited TimeSale: Up to 50% off; plus extra 15% off select itemsPromo Code: NoneUlla Johnson Sylvie pleated printed cotton midi skirt, $, available at Net-A-PorterSSENSEDates: Nov. 23 – limited timeSale: Up to 50% off select itemsPromo Code: NoneEYTYS Black Raven Boots, $, available at SSENSELisa Says GahDates: Nov. 27 – 30Sale: Take 25% off sitewidePromo Code: Discount applied at checkoutLisa Says Gah Bec Bell Bottom Pant, $, available at Lisa Says GahJW PeiDates: Now – Nov. 27Sale: Up to 80% off, plus extra 10% off with code BLACK10Promo Code: BLACK10JW PEI Eva Shoulder Bag, $, available at JW PEIMansur GavrielDates: Now – Nov. 27Sale: 50% off select handbags & shoesPromo Code: NoneMansur Gavriel Mini Mini Bucket Bag, $, available at Mansur GavrielTopshopDates: Now – ?Sale: Up to 50% off almost everythingPromo Code: NoneTopshop Black And White Stripe Square Neck Knitted Top, $, available at TopshopGorjanaDates: Nov. 25 – 30Sale: Spend $125, save $25; spend $200, save $50; spend $350, save $100.Promo Code: NoneGorjana Diamond Parker Link Necklace, $, available at GorjanaWalmartDates: Now – Limited timeSale: Up to 60% off women’s fashionPromo code: NoneComo Blu Shrunken 1/4 Zip Fleece Pullover, $, available at Walmart24SDates: Nov. 23 – Dec. 1Sale: 20% off sitewidePromo Code: BLACKFRIDAY20Ganni Hiking boots, $, available at 24SFarfetchDates: Now – Limited timeSale: Up to 50% off, plus an extra 20% off salePromo Code: NoneOutdoor Voices Core 3/4 Legging, $, available at Outdoor VoicesMarc Jacobs Striped Logo Jumper, $, available at FarfetchThe OutnetDates: Nov. 25 – Dec. 1Sale: Up to 70% off + extra 25% off almost everythingPromo Code: BLACKFRIDAYGanni Color-block merino wool and alpaca-bend sweater, $, available at The OutnetChampionDates: Nov. 22 – Dec. 1 Sale: Up to 50% off sitewide plus buy more, save more (10% off orders $100+; 15% off orders $150+; 20% off orders $200+)Promo Code: NoneChampion Campus Fleece Mock Neck Crew, $, available at ChampionCollina StradaDates: Now – Limited timeSale: 20% off sitewidePromo Code: SALE20Collina Strada Purple Tie Dye Round Hem Hoodie, $, available at Collina StradaBandierDates: Nov. 27 – 30Sale: 30% off sitewide, including rotating additional discounts on select categoriesPromo Code: NoneOn Running Cloudflyer Sneaker, $, available at BandierSaks Fifth AvenueDates: Now – Limited timeSale: Up to 75% off select itemsPromo Code: NoneCult Gaia Banu Plissé Clutch, $, available at Saks Fifth AvenueKES NYCKES will start their Black Friday deals on Tuesday, November 17th – Sunday, November 29th. Deals will consist of shop $100 and take off 25% (code #BLK25) and shop $300 take off 30% (code #BLK30).Please note, Dia&Co’s Black Friday/Cyber Monday sale codes have been changed to the following and reflected in the network.Black Friday Sale will now use code DIABFCyber Monday FLASH Sale will now use code DIACYBERPlease use the updated links below. Thanks!Dia&Co Black Friday Deals! Save 30% Off EVERYTHING at Shop.Dia.com with code DIABF! Offer valid 11/23-11/29.Get HtmlDia&Co Cyber Monday FLASH SALE! Save 50% Off EVERYTHING at Shop.Dia.com with code DIACYBER! Offer valid 11/30 ONLY.Get HtmlCara CaraDates: Now – Limited timeSale: Extra 30% off sitewidePromo Code: THX30Baggu Fanny Pack in Tomato, $, available at Cara CaraGood AmericanDate: Nov. 25 – 29Sale: 25% off sitewide Promo Code: BF25Good American Good Vintage Jean, $, available at Good AmericanStaudDates: Now – Nov. 30Sale: 25% sitewidePromo Code: 25OFFStaud Bean Bag, $, available at StaudPamela LoveDates: Nov. 23 – 30Sale: 30% off all in-stock itemsPromo Code: THANKYOUPamela Love Pendulum Earrings, $, available at Pamela LoveThe LobbyDates: Now – Limited timeSale: 20% off sitewide, plus up to 70% off select stylesPromo Code: NoneHouse Of Sunny Hockney Dress, $, available at The LobbyAna LuisaDates: Now – Limited TimeSale: Buy one, get one 50% offPromo Code: NoneAna Luisa Sia Earring, $, available at Ana LuisaLevi’sSale: 40% off plus free shippingDates: Now – Dec. 1Promo Code: BLUESTREAKLevi’s Ribcage Bootcut Jeans, $, available at Levi’sModa OperandiDates: Now – Limited timeSale: Up to 50% off customer favoritesPromo Code: NoneVEJA Campo Leather Sneakers, $, available at Moda OperandiLulusDates: Nov. 24 – 27Sale: 25% – 90% sitewide plus free domestic shippingPromo Code: FRIYAY25Lulus Warm Thoughts Wrap Sweater, $, available at LulusSaks Off FifthDates: Nov. 21 – 29Sale: Extra 50% off Black Friday discountsPromo Code: NoneNadaam Cashmere V-Neck Pullover Sweater, $, available at Saks OFF 5THRent the RunwayDates: Nov. 24 – 28Sale: 40% off your first 2 months of an 8 or 16 item plan and one-time rentals ($75 order minimum for one-time rentals)Promo Code: NoneRent The Runway Monthly Rental Plan: Up to 8 Items Per Month, $, available at Rent The RunwayRent the RunwayDates: Nov. 29 – Dec. 2Sale: Take 50% off a trial month of our 8 or 16 item plansPromo Code: NoneAroDates: Nov 25 – Dec. 2Sale: 30% off sitewide with code “THANKS20”Promo Code: THANKS20BackcountryDates: Now – Limited timeSale: Up to 60% offPromo Code: NonePatagonia Down Sweater Jacket, $, available at BackcountryLike what you see? How about some more R29 goodness, right here?12 Black Friday Tech Deals To ShopPeep ALL These Deals On Cooking SuppliesWalmart Just Dropped A New Wave Of BIG Black Frida
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