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HydraFacial, a Beauty Health Company, Announces 2020 Preliminary Net Sales

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HydraFacial, a Beauty Health Company, Announces 2020 Preliminary Net Sales

On Track to Complete Business Combination with Vesper Healthcare in the First Half of 2021

The HydraFacial® Company (“HydraFacial,” or the “Company”), a category-creating beauty health company, today announced preliminary net sales for the fiscal year ended December 31, 2020.

HydraFacial currently expects net sales for fiscal year 2020 to approximate $119 million. The Company’s previous expectation for net sales, provided on December 9, 2020, was approximately $115 million. The Company has not yet completed the year-end audit and expects to report full results for fiscal year 2020 at a future date. The previously announced business combination with Vesper Healthcare (NASDAQ: VSPR) remains on track to be completed in the first half of 2021.

Clint Carnell, HydraFacial CEO, stated: “I am proud of our team for their collective efforts, passion and dedication in 2020, which allowed us to continue building the HydraFacial brand, despite the impact of COVID-19 related closures, and generate net sales which came in ahead of the guidance we had provided in December 2020. The resilience of the brand is demonstrated by the fact that we added more than 2,000 new delivery systems globally since the pandemic related stay-at-home orders started in March 2020, we strengthened the recurring consumable revenue, which is expected to represent more than 50% of total sales at year end, and we added and expanded several key brand and retail partnerships, including Dr. Murad, Sephora and Clinique. We are excited to become a public company and to build this business globally.”

Brent Saunders, CEO and Co-Founder of Vesper Healthcare Acquisition Corp., commented: “I am very pleased with the solid topline results that HydraFacial delivered in 2020, against a challenging backdrop of COVID-19. HydraFacial has tremendous opportunities both in the U.S. and globally and we look forward to deploying our strategy to create a leading company in the category of beauty-health.”

On December 9th, 2020, HydraFacial and Vesper Healthcare, a special purpose acquisition company co-founded by Brent Saunders, former CEO of Allergan, Forest Laboratories, and Bausch + Lomb, announced that they entered into a definitive merger agreement pursuant to which HydraFacial and Vesper Healthcare will combine, and after which HydraFacial will become a public company. Upon completion of the transaction, the combined company expects to be listed on the NASDAQ exchange. HydraFacial is owned by Linden Capital Partners and DW Healthcare Partners, both of which are private equity firms focused exclusively on the healthcare industry.

Cautionary Statement Regarding Preliminary Results

The results for the fiscal year ended December 31, 2020 are preliminary, unaudited and subject to the finalization and closing of the Company’s year-end audit and should not be viewed as a substitute for full annual financial statements prepared in accordance with U.S. GAAP. In addition, these preliminary results are not a comprehensive statement of the Company’s financial results for the year ended December 31, 2020. The Company cautions you that these preliminary results are not guarantees of future performance or outcomes and that actual results may differ materially from these described above.

About The HydraFacial Company

The HydraFacial Company is an experiential, non-invasive, and approachable beauty health platform and ecosystem with a powerful community of estheticians, consumers and partners, bridging medical and consumer retail to democratize and personalize skin care solutions for the masses. Leading the charge in beauty health as a category-creator, HydraFacial uses a unique delivery system to cleanse, extract, and hydrate with their patented hydradermabrasion technology and super serums that are made with nourishing ingredients, providing an immediate outcome and creating an instantly gratifying glow in just three steps and 30 minutes. HydraFacial® and Perk™ products are available in over 87 countries with over 15,000 delivery systems globally and millions of treatments performed each year. For more information, visit the brand on LinkedIn, Facebook, Instagram, or at HydraFacial.com.

About Vesper Healthcare Acquisition Corporation

Vesper Healthcare Acquisition Corporation is a special purpose acquisition company formed for the purpose of effecting a merger, capital stock exchange, asset acquisition, stock purchase, reorganization or similar business combination with one or more businesses, with the intention to focus its search on companies in the pharmaceutical and healthcare sectors. Vesper Healthcare is led by Chief Executive Officer, Brent Saunders, and Chief Financial Officer, Manisha Narasimhan, PhD. For more information, visit www.vesperhealth.com.

Forward-Looking Statements

This press release may contain “forward-looking statements” within the meaning of the “safe harbor” provisions of the Private Securities Litigation Reform Act of 1995. The expectations, estimates and projections of the businesses of Vesper Healthcare or the Company may differ from their actual results and consequently, you should not rely on these forward-looking statements as predictions of future events. Words such as “expect,” “estimate,” “project,” “budget,” “forecast,” “anticipate,” “intend,” “plan,” “may,” “will,” “could,” “should,” “believes,” “predicts,” “potential,” “continue,” and similar expressions are intended to identify such forward-looking statements. These forward-looking statements include, without limitation, expectations with respect to future performance of Vesper Healthcare or HydraFacial and anticipated financial impacts of the proposed transaction, the satisfaction of the closing conditions to the proposed transaction and the timing of the completion of the proposed transaction.

These forward-looking statements are not guarantees of future performance, conditions or results, and involve significant risks and uncertainties, that could cause the actual results to differ materially from the expected results. Most of these factors are outside of the control of Vesper Healthcare and the Company and are difficult to predict. Factors that may cause such differences include, but are not limited to: (1) the occurrence of any event, change or other circumstances that could give rise to the termination of the Merger Agreement and the proposed transactions contemplated therein; (2) the outcome of any legal proceedings that may be instituted against the parties following the announcement of the Merger Agreement and the transactions contemplated therein; (3) the inability to complete the transactions contemplated by the Merger Agreement, including due to the failure to obtain approval of the stockholders of Vesper Healthcare or other conditions to closing in the Merger Agreement; (4) the occurrence of any event, change or other circumstance that could give rise to the termination of the Merger Agreement or could otherwise cause the transaction to fail to close; (5) the receipt of an unsolicited offer from another party for an alternative business transaction that could interfere with the proposed transaction; (6) the inability to obtain or maintain the listing of the post-acquisition company’s common shares on Nasdaq following the proposed transaction; (7) the risk that the proposed transaction disrupts current plans and operations of the Company as a result of the announcement and consummation of the proposed transaction; (8) the ability to recognize the anticipated benefits of the proposed transaction, which may be affected by, among other things, competition, the ability of the combined company to grow and manage growth profitably, maintain relationships with customers and suppliers and retain its management and key employees; (9) costs related to the proposed transaction; (10) changes in applicable laws or regulations; (11) the possibility that the Company may be adversely affected by other economic, business, and/or competitive factors; (12) the impact of the continuing COVID-19 pandemic on the Company’s business and (13) other risks and uncertainties indicated from time to time in the final prospectus of Vesper Healthcare, including those under “Risk Factors” therein, and other documents filed or to be filed with the Securities and Exchange Commission (“SEC”) by Vesper Healthcare.

Vesper Healthcare cautions that the foregoing list of factors is not exclusive. You should not place undue reliance upon any forward-looking statements, which speak only as of the date made. HydraFacial and Vesper Healthcare do not undertake or accept any obligation or undertaking to release publicly any updates or revisions to any forward-looking statements to reflect any change in their expectations or any change in events, conditions or circumstances on which any such statement is based.

Important Information about the Transaction and Where to Find It

In connection with the proposed transaction, Vesper Healthcare has filed a preliminary proxy statement with the SEC and plans to file a definitive proxy statement with the SEC. Vesper Healthcare’s stockholders and other interested persons are advised to read the preliminary proxy statement, the amendments thereto, and the definitive proxy statement and documents incorporated by reference therein filed in connection with the proposed transaction, as these materials will contain important information about the Company, Vesper Healthcare and the proposed transaction. When available, the definitive proxy statement will be mailed to the stockholders of Vesper Healthcare as of a record date to be established for voting on the proposed transaction. Stockholders will also be able to obtain copies of the preliminary proxy statement, the definitive proxy statement and other documents filed with the SEC that will be incorporated by reference therein, without charge, once available, at the SEC’s website at http://www.sec.gov, or by directing a request to: Vesper Healthcare Acquisition Corp., 1819 West Avenue, Bay 2, Miami Beach, FL 33139.

Participants in the Solicitation

Vesper Healthcare and its directors and executive officers may be deemed participants in the solicitation of proxies of Vesper Healthcare stockholders with respect to the proposed transaction. A list of those directors and executive officers and a description of their interests in Vesper Healthcare will be filed in the proxy statement for the proposed business combination and available at www.sec.gov. Additional information regarding the interests of such participants will be contained in the proxy statement for the proposed business combination when available.

HydraFacial and its directors and executive officers may also be deemed to be participants in the solicitation of proxies from the shareholders of Vesper Healthcare in connection with the business combination. A list of the names of such directors and executive officers and information regarding their interests in the proposed business combination will be included in the proxy statement for the proposed business combination.

No Offer or Solicitation

This press release shall not constitute a solicitation of a proxy, consent or authorization with respect to any securities or in respect of the proposed transaction. This press release shall not constitute an offer to sell or the solicitation of an offer to buy any securities, nor shall there be any sale of securities in any states or jurisdictions in which such offer, solicitation, or sale would be unlawful prior to registration or qualification under the securities laws of such state or jurisdiction. No offering of securities shall be made except by means of a prospectus meeting the requirements of section 10 of the Securities Act of 1933, as amended.

View source version on businesswire.com: https://www.businesswire.com/news/home/20210222005238/en/

Contacts

For HydraFacial:
ICR, Inc.
Investors: Allison Malkin
Email: allison.malkin@icrinc.com
Press: Alecia Pulman
Email: alecia.pulman@icrinc.com

For Vesper Healthcare:
Manisha Narasimhan, PhD
CFO, Vesper Healthcare Acquisition Corp.
Manisha.narasimhan@vesperhealth.com

Fashion

Brown University Fashion Week 2021 Kicks Off with Lineup of Fashion and Lifestyle Royalty Including Sarah Jessica Parker, Gwyneth Paltrow, Stella McCartney, and More

Emily walpole

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Brown University Fashion Week 2021 Kicks Off with Lineup of Fashion and Lifestyle Royalty Including Sarah Jessica Parker, Gwyneth Paltrow, Stella McCartney, and More

PROVIDENCE, R.I., March 3, 2021 /PRNewswire-PRWeb/ — Brown Fashion Week 2021 will take place from March 4 to March 26 and features some of the biggest names in the fashion and lifestyle industries. Re-imagined by student organization Fashion@Brown (F@B) as a virtual celebration this year, the impressive 22-day program of events is free and open to students and fashionistas around the globe and not limited to the Brown University community.

“We were astonished and humbled by the positive response we received to our invitations to speak at Brown Fashion Week this year,” states Sasha Pinto, president of the student organization, Fashion@Brown. “We wanted to make Brown Fashion Week bigger than ever to spread some much-needed inspiration to students given the extreme isolation everyone has been experiencing — and the fashion industry responded in overwhelming numbers. It is a tribute not only to the kindness and generosity of the individual speakers but to the industry in general.”

Joining Fashion@Brown will be such renowned leaders as Gwyneth Paltrow, Sarah Jessica Parker, Stella McCartney, Kenneth Cole, Steve Madden, Emma Chamberlain, and Olivier Rousteing, among others. A complete list of all speakers and events follows.

Events are free and registration details can be found at https://fashionatbrown.com/events

Brown Fashion Week 2021 – Complete Speaker Lineup

Brown Fashion Week Distinguished Speaker Series kicks off on Thursday, March 4 at 7:30 pm ET with …

Sarah Jessica Parker: Actress, Entrepreneur, Civic Activist: SJP Does it All… and in High Heels” on Thursday, March 4 at 7:30 pm ET – Join F@B in conversation with the powerhouse whose latest bona fides include CEO of the SJP Collection, her booming shoe business; member of the Partnership for New York City, an economic council of NYC’s top CEOs; and vice chairman of the New York City Ballet… in addition to being a Golden Globe, Emmy, and Screen Actors Guild award-winning actress of the stage, silver screen, and television. Hear about SJP’s unique approach to retail, her myriad entrepreneurial initiatives, and her passionate dedication to the post-pandemic revival of New York City.

Next in the series is “Kenneth Cole: The Fashion Empire Visionary Shining a Light on Social Issues with Passion and Purpose,” on Monday, March 8 at 8:00 PM ET, featuring Kenneth Cole, who built a billion-dollar retail business while keeping in mind that “it’s great to be known for your shoes, but it’s better to be recognized for your soul.” Instead of being the company’s model, Kenneth Cole decided to be the company’s role model by lending his name to social issues like AIDS, homelessness, gun control, mental health and abortion. Cole will be interviewed by his daughter Amanda cole, Brown class of 2012.

On Monday, March 8 at 12:30 pm ET zoom in to “A Conversation with the World’s Foremost Fashion CEOs.” Isabelle Guichot, CEO of the chic Parisian fashion house Maje and former CEO of the renowned luxury maisons Cartier, Van Cleef & Arpels, and Balenciaga, joins Patrice Louvet, CEO of Ralph Lauren, for a dynamic industry leader fireside chat. As CEO of Ralph Lauren, which recently dressed Joseph R. Biden Jr. for the presidential inauguration, Mr. Louvet leads this hugely successful multi-billion-dollar company.

The series continues with “Steve Madden’s Wild Ride and Crazy Come Back” on Monday, March 9 at 8:00 PM ET. F@B is excited to host “the Maddman” himself who turned a fledgling startup launched in 1990 with $1,100 into a global, multibillion-dollar brand. But Steve Madden’s mistakes — from his battle with addiction to the financial shortcuts that landed him in prison — are as important to his narrative as his iconic shoes. Steve will share his uplifting story, the lessons he’s learned along the way, and how he hopes to use his hard-won platform to create positive change.

On March 10 at 2:00 pm ET: “Francesca Bellettini: The Powerhouse Behind the Billion-Dollar Brand” features the woman who has propelled the Yves Saint Laurent brand into the exclusive billion-Euro club, and in the process made herself one of the most powerful women in fashion where there are only a handful of female chief executives. Launching her career at Goldman Sachs before moving to prestigious fashion houses such as Prada, Gucci, Helmut Lang, and Bottega Veneta, Bellettini has shaped every form of luxury from the bags we carry to the clothes and shoes we wear.

On March 12 at 4:00 pm ET, F@B hosts internet phenomenon Emma Chamberlain: “The Most Interesting Girl on YouTube” according to the New York Times. Chamberlain, at just 19 years old, has created her own wildly successful brand as a Youtuber, social media influencer, Tik Tok star, podcaster, and owner of Chamberlain Coffee with a combined social media following of more than 30 million. Emma has also pivoted into the fashion industry, making her own merchandise and partnering with legendary Louis Vuitton. She has even recently entered the beauty world by becoming the global brand ambassador and creative director for Bad Habit Beauty Skincare. Emma has also had a huge impact on mental health, sharing her own struggles with anxiety and depression across all of her platforms.

The series continues on Sunday March 14 at 2 pm ET with “Olivier Rousteing: Transforming a Classic: Fashion’s Storyteller for a New Age.” Balmain’s wunderkind, Olivier Rousteing, will share what he envisions as fashion in the 21st century: a fresh, inclusive world of glamour and revolution. Bringing an innovative spirit of adventure and understanding of a digital generation, Olivier Rousteing’s creative vision has been integral to Balmain’s rapid growth as a brand and as a cultural staple on social media through his “Balmain Army.”

The next session, “Olivia Palermo: Style Authority, Tastemaker, and Instagram Case Study” on Thursday, March 18 at 7:30 pm ET is not to be missed. Palermo is a major force in the fashion industry; renowned designers invite her to collaborate, Valentino invites her to his yacht, Instagram uses her as a case study, and The New York Times published a feature story about her success. Olivia’s journey from an internship in the offices of Diane von Furstenberg in 2006 to an acclaimed international style authority and industry tastemaker today is a story that everyone with entrepreneurial ambitions will want to hear.

On Friday, March 19 at 12:30 pm ET, F@B presents “Stella McCartney: The Mindful Eco-Warrior of High Fashion.” Stella McCartney is one of the fashion industry’s most vocal champions of environmental issues and her company is a highly successful example of the commercial potential of sustainable, ethically minded businesses. Renowned not only for her successful designs, which included Meghan Markle’s wedding reception dress, Stella was also the first fashion designer ever to appear on the cover of American Vogue magazine in January 2020. A lifelong vegetarian, Stella has never used leather, feathers, skin or fur in any of her designs.

March 22, 7:30 pm ET, F@B presents – “Gwyneth Paltrow: The Oscar-winning Lightning-Rod, Trailblazing Lifestyle& Wellness CEO.” Join F@B for a chat with the actress-turned-powerhouse CEO who has taken the lifestyle and wellness market by storm. Providing a fresh—and at times controversial—perspective, Goop is one of the wellness industry’s most recognizable brands earning Paltrow millions of passionately loyal admirers (and, yes, a few trolls) through the simple premise that wellness is the new wealth. With Goop’s blend of aesthetic lifestyle digital media that touches on everything from beauty and wellness to fashion, food, home, and travel—along with its thriving e-commerce business, retail stores, events, and health summits, Goop is a worldwide phenomenon and Gwyneth Paltrow is just getting started.

Panel Discussions

In addition to the speaker series, Brown Fashion Week’s fascinating and thought-provoking panel discussions are not to be missed:

Changemaker Fashion Designers as Translators of Culture & Ethics

March 6 at 2:00 pm ET

Join this F@B conversation with Rome-based designer Stella Jean, Brooklyn-based Fe Noel, and Detroit-based Tracy Reese who are transforming the fashion landscape each in their own way, from using fashion as a bridge and translator of culture to using it as a way to uplift exploited communities. Hear about their journeys, efforts to promote diversity and inclusion in the industry, as well as efforts to expand sustainable design initiatives and ethical production.

Award-Winning Costume Designers Shaping Fashion in Film

March 13, 2:00 pm ET

We’ll hear from Oscar-winner Ruth Carter, six-time Emmy-winner Michele Clapton, and Emmy-nominated Heidi Bivens on their experiences within the fashion and film industries, as well as their processes, inspirations, and ambitions. Their work spans across all different genres, be it Clapton’s Game of Thrones and The Crown, Carter’s Black Panther and Malcolm X, or Heidi Bivens Mid 90s and Euphoria.

The Future of Fashion Journalism from America’s Foremost Editors

March 16, 7:30 pm ET

Join F@B for a live-streamed conversation with three of fashion journalism’s most celebrated editors and influential voices in fashion: Vanessa Friedman, fashion director and chief fashion critic at The New York Times; Chioma Nnadi, editor of Vogue.com; and Samantha Barry, editor-in-chief of Glamour. Editorial is how we discover the latest trends, unearth new icons, and define style as we know it. The future of fashion journalism today is in flux, however, between the dilemma of reporting on fashion during a pandemic, the rise of influencer-generated content, the shift to digital platforms, and disappearance of print magazines. Friedman, Nnadi, and Barry will join us to discuss and dissect the future of fashion journalism.

Disrupting Beauty: Supermodels on Representation & Empowerment

March 17, 3:00 pm ET

This fascinating conversation will explore how modeling can influence greater societal change, how media representation can center marginalized identities in the public consciousness and how their careers have inspired them to help empower others; while their faces dominate our magazines and feeds, few are aware of their social and philanthropic work. We will hear from Jasmine Tookes, Cindy Bruna, Jasmine Sanders and Tami Williams about their inspirational journeys.

Screening & Discussion of “The Remix: Hip Hop x Fashion”

March 21, 6:00 pm ET

Join F@B and the Brown Arts Initiative for a discussion with Lisa Cortés, the Academy Award-Nominated director, writer, and producer of the film, in conversation with award-winning filmmaker Yoruba Richen, Brown Professor of the Practice. The Remix is a story of hip hop’s influence on the fashion industry, which has led to the stratospheric and global rise of street wear. It is a story of African American creativity and limitless possibilities of this shift in culture, focusing on the journeys of fashion architect Misa Hylton, streetwear designer April Walker, as well as Dapper Dan and Kerby Jean-Raymond.

And finally, Brown Fashion Week 2021 culminates with their 11th Annual Runway Show…

The 11th Annual Runway Show on Friday, March 26 at 7:00 pm ET, presented virtually for the first time, will showcase the collections of the F@B team of twenty-six student designers from both Brown University and Rhode Island School of Design. The collections will be released in a high-fashion campaign film, accompanied by a virtual and print Lookbook.

To register for any and all of the aforementioned complimentary events, please click http://www.fashionatbrown.com/events for more information and registration.

Media Contact

Sasha Pinto, Fashion@Brown, +1 (609) 865-7399, SashaPinto@fashionatbrown.com

SOURCE Fashion@Brown

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Fashion

Meet the Institut Français de la Mode’s first-ever MA Fashion graduates

Emily walpole

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Meet the Institut Français de la Mode’s first-ever MA Fashion graduates

Johanna Imbach MA Collection. Image courtesy of Institut Français de la Mode.

We won’t lie; flipping the calendar page to March was a sobering moment, an unwelcome reminder that we’ve spent a whole year of our lives living through these unprecedented times. Our minds, naturally, drifted back 12 months to those pre-pandemic ‘last days of Rome’ — well, Paris, actually, where the city’s AW20 fashion week was in full swing. Meanwhile, in a neon green lightning bolt of a building on the Left Bank of the Seine, the inaugural cohort of the Institut Français de la Mode (IFM)’s spanking new MA programme had reached the halfway mark in the two-year course, cutting, draping and dreaming of their debut on the fashion world’s most prestigious stage just twelve months down the line.

You know how the story goes — a goddamn lot has happened since, and any plans that were in place then were swiftly put paid to. Still, despite the trials and turmoils that the past year has posed, the dreams of the 48 members of the IFM’ first graduating were yesterday realised, with their collections opening the AW21 Paris Fashion Week schedule. “This presentation […] is the first concrete expression of our project and our ambition,” says Xavier Romatet, the school’s dean. “It’s an opportunity to appreciate the creative level of this first graduating class of our new Master’s programme, to identify emerging talent for tomorrow and to contribute to rethinking fashion in light of the current disruptions.”

 

As you’ll see below, this fresh crop of young talent below has done a pretty good job of doing just that, presenting accomplished, thought-provoking collections even in (and in some cases as a reaction to) today’s hostile climate for fashion’s new faces. Here, seven of the graduates discuss their final collections, how they navigated the challenges of creating during the pandemic, and how the past year has shaped their perspectives on fashion.

Adam Kost

How would you introduce your graduate collection? My collection is a meditation on purity and smoothness; meadow and sky; moonlight during the night, sunshine during the day: things that make me feel I am part of everything and everything is part of me. What are its central themes? It’s about the eternal qualities of fashion, and how it interacts with the human body. I was trying to find a universal language, one that everybody can relate to, discussing basic topics and archetypes that are more or less the same for all of us. How did you find developing and creating your graduate collection during the pandemic? Creating during the pandemic meant creating a collection with limited resources. But this fact didn’t affect my creativity; it even forced me to dream more, be more generous, and more grateful that I still had the privilege to create garments. How has the past year shaped your understanding of fashion’s purpose? It’s taught me to question my designs much more; to ask myself if they should be made and if they are aesthetically sustainable.

Clément Picot

How would you introduce your graduate collection? My collection, titled “Dream Until the End”, is inspired by two of my favourite movies: American Psycho and The Shining by Stanley Kubrick. I always found that there was a kind of similarity between the two main characters. I wanted to pay tribute to these two films through a series of winks in the looks of the collection, but above all, I wanted to create my own narrative. What are its central themes? The idea was to show the evolution of a person, a transformation and descent to a hell that lies somewhere between the imaginary and the real. I tried to translate this idea through the different looks in my collection, starting with ‘the dream’, with powerful but disturbing silhouettes inspired by Patrick Bateman’s wardrobe, and the last looks ending at the border of the nightmare thanks to hybrid silhouettes inspired by Matthew Barney’s movies. How has the past year shaped your understanding of fashion’s purpose? I remember dreaming in front of Alexander McQueen’s shows more than 10 years ago — I was amazed by the beauty and the almost infinite creativity of his work, and I think this is part of a kind of magic that fashion has and must continue to have in the future. Especially in these difficult times, it is always important to keep dreaming. Fashion is an art like any other, an art that was disappearing more and more under the increasing numbers of collections, and in a world where fast fashion takes up an increasing amount of space. Nowadays, fashion exists more and more as a form of entertainment and inspiration for people who can’t leave their homes anymore, to visit an exhibition in a museum, for example. In the space of a year, fashion has really managed to carve out an important space in people’s daily lives, giving us hope for the future.

Jimin Kim

 

How would you introduce your graduate collection? My collection maps my symbolic journey towards finding a balance between reality and daydreaming in the process of achieving my personal goals, mixing the traditional craft of crochet with 3D technology to create silhouettes which question the real and the imagined. My real-world experience is represented by the knitted fabrics made from mohair and monofilament, while my tendency to daydream is represented through transparent 3D structures sculpted in PLA, biodegradable plastic made of corn starch. How did you find developing and creating your graduate collection during the pandemic? I’ve had a hard time during the pandemic, but, on the other hand, it has enabled me to develop new approaches that aren’t typical knit. I found the first lockdown period very hard mentally, and couldn’t do any work. Afterwards, though, I completed a 4-month innovation project called ‘Sound of Shape’. In Korea, we were able to go out relatively freely, but, as in Paris, there was limited access to knitting machines, so I had to find a new method. The project’s theme was to discover my own innovation, so I decided to make clothes through a creative new method. I researched how knitting and crochet were practised in the past, when people couldn’t use machines. Furthermore, when I searched for a new material, I came up with the idea of working with a 3D pen, and weaving the PLA plastic like a knit structure. You’re graduating at a time when conversations around race, gender, sexuality and wider issues of identity have never been more prominent in fashion. How do you position your work with respect to these conversations? I wanted to reflect on the current situation in my collection. Previously, in my Parsons MFA collection, I tried to symbolically express my experiences as a woman in Korean society and my attitude against prejudice and discrimination. Although this collection is more concentrated on my inner side, it still expresses a desire to counteract negative stereotypes about me. As a Korean, I grew up in a society that was not part of the fashion mainstream, and I’ve worked very hard to overcome the skeptical gazes of people around me — it’s an effort that continues even to this day. I hope that diversity will become more common in the fashion world, and that young designers who make new attempts to cross barriers of race and nationality will receive greater support in the mainstream.

Jisoo Baik

How would you introduce your graduate collection? My collection, titled ‘Personal Space’, mostly involves incorporating everyday objects that anybody can relate to in order to convey the idea of a safe space where you can be yourself. It was inspired by how individuals carry their possessions with them, each in their own way, when they walk on the street. How did you find developing and creating your graduate collection during the pandemic? The first time Paris went into lockdown, I was so panicked, I couldn’t imagine how I would develop my final collection without any fabrics and materials. The city was like a ghost town. But then I realised that I couldn’t just stop everything and worry. I just kept saying to myself, ‘I’m doing my best that I can.’ The new trials this brought were actually really freeing. Ironically, they’ve given the fashion world even greater freedom, allowing it to escape from the reliance on fashion shows, for example, something that seemed like it would never changed. How has the past year shaped your understanding of fashion’s purpose? Before I started my MA course, I was focused on finding my own voice and identity in my designs. I tried to challenge myself by using unfamiliar materials to making garments, digging deep inside myself to answer questions ‘Who am I?” and, “What do I like?”  Now, though, I’m more focused on responding to a customer’s needs, and thinking about how  I communicate with them. I’ve become much more careful about not getting stuck in my own world.

Johanna Imbach

 

How would you introduce your graduate collection? My graduate collection is a technical and creative exploration of knitwear. It is above all a collection that questions the perception of the spectator, proposing new experiences between garments and bodies. What are its central themes? I wanted to create an almost virtual vision, one of garments without any mass. My three-dimensional approach is above all a sculptural process. This allows me to create graphic and kinetic looks where the body and the garment become one, proposing a new anatomy. I wanted to present a womenswear collection that questions anatomy, perception and proportion; to question the female body and its relationship to clothing through allure and curves. Ultimately, I seek to redefine knitwear, to push it beyond the ideas that we have of knitting and its construction. How did you find developing and creating your graduate collection during the pandemic? The most difficult part of the past year has been living in uncertainty. Being a knitter, and being away from our materials and workspace, was a huge disadvantage, even though we all have domestic machines. We had to leave the workshops for 5 months, putting our minds, and our creativity, to a tough test. We also had to be understanding and responsive to government restrictions. It was a year that seemed insurmountable, but, now our collections have launched, it now feels like it passed quickly.”

Mathieu Goosse

How would you introduce your graduate collection? My collection, titled “I’d like to see you”, is like an image plane, a series of objects in suspension above reality. Short of breath, out of strength, stripped back to the bare essential. It revolves around the ideas of reducing, exhaustion, love, and fragility. I don’t work with mood boards of images, but with emotions, sensations, and objects that I craft and which act as starting points. What are its central themes? It’s about obsession: what fuels it, what brings it alive, and how it triggers our impulses to build and to destroy. I often work with materials I have right next to me, and I like to make them feel new and different. They are sanded, washed-out, and worn-down. There is a frailness in the razor-sharp precision of the handwork, and a roughness in the sensation of sanded silk, peeling python skin, the worn feeling of recycled denim. You’re graduating at a time when conversations around race, gender, sexuality and wider issues of identity have never been more prominent in fashion. How do you position your work with respect to these conversations? Through my choice to not work with ‘images’ and focus on the essence of elements from my personal point of view, I’m trying to build my garments as objects. Pure, detached and independent, they can speak to or touch everyone; they’re essential forms that can belong to anyone. As a menswear student, my collection was presented on boys in the show, but the garments are completely non-gendered. For me, the best way to discuss issues of diversity in my work is to reduce things to the point where they lose any socialised associations, while maintaining a strong presence. How has the past year shaped your understanding of fashion’s purpose? This year of isolation has shown me how fashion is necessary and how much it connects people. It always seems so far from everything — extreme, intense, arrogant, or from another world — but it’s so close to us all, and at all times. Garments are the first things we receive when we’re born, and we keep them with us until the end. They’re what hold us.”

Soyul Kim

How would you introduce your graduate collection? It’s about fierceness layered with softness; being playful in a cut-throat world. I was very much influenced by the inspiring women mentors I had when I started my career in NYC. When we think of ‘strong women’, we only think of their boldness. But you soon realise that they are who they are today because they were willing to fall, accept and learn from their experiences — just like a kid who’s willing to fall because they’ve learned how to pick themselves up again. And everybody has that inner kid, they’re just usually too busy ‘adulting’ through the world. What are its central themes? A central theme throughout my collection is the undeterred presence of a child living in an adult body. Using hard silhouettes like armour-shaped shoulders and hard materials like leather against soft fabrics and lace, or by crocheting structured metal thread into seemingly-fragile fabric, I wanted to express the coexistence of strength and vulnerability. There are also elements that blur the line of being a kid and being an adult, like Furby bags hanging from power suits, or a print with abstract shapes taken from Disney films. I see my collection as a balance of something rough and delicate, masculine and feminine, serious and playful – something adult-y, and youthful at the same time. You’re graduating at a time when conversations around race, gender, sexuality and wider issues of identity have never been more prominent in fashion. How do you position your work with respect to these conversations? I tend not to say it out loud, but I create to put feminine power on equal grounds with masculine power. It’s not about a competition between the genders, but rather about acknowledging underlying historical discrepancies, appreciating each other, and working towards the same goal of closing the gap. I hope to inspire other women and girls through my work – just as I have been inspired by the female mentors in life – that we should never settle for less, and that we should also not be intimidated by competition; rather, we should be inspired by it. It’s about embracing the authentic power of your inner female identity, and being true to what makes you feel comfortable.

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Adult Minnesotans rediscovered the comfort of snow pants, fashion be damned

Emily walpole

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Adult Minnesotans rediscovered the comfort of snow pants, fashion be damned

Brandt Williams of Minneapolis has spent 53 years in the Upper Midwest, but hadn’t worn snow pants since being zipped into a one-piece suit he described as “the iron maiden of clothing for children.”

Then one day last December, while shopping at Costco, Williams spotted a snow pants display. He bought a pair on a whim, thinking they’d be less hassle than adding and removing long underwear.

During the February cold snap, Williams wore his snow pants for daily walks, outdoor reporting assignments for his job with Minnesota Public Radio, or just sitting around a fire pit.

“Having this layer of protection makes you feel like you’ve somehow mastered the elements,” he said. “You have this feeling of invulnerability.”

While snowsuits and coveralls are a staple of ice fishing, snowmobiling and other outdoorsy pursuits, the pandemic has spurred more Minnesotans to join the cozy club of adults who wear the padded pants. They’re remembering childhoods spent sitting in snowbanks, undeterred by dampness or cold, and wondering why their adult selves hadn’t reembraced snow pants sooner.

For some, donning snow pants has been an act of self-care in a time when so many of the usual ways we treat ourselves — from happy hours to hitting the mall — have been curtailed.

And once they’ve crossed over to the warmer side of winter life, snow pants converts can’t stop talking about how great they are — fashion stigma be damned.

“Being warm is cool,” Williams said. “It doesn’t matter how you look. And plus, they’re not bad-looking pants.”

The snow pants gospel

For Luke LeBlanc, adopting snow pants improved his outdoor experience dramatically. The 25-year-old Minneapolis singer/songwriter admits that prior apathy about winter gear meant he was constantly underdressed; his heaviest coat was a windbreaker.

This year, anticipating he’d be spending more time outdoors, Le-Blanc invested in a big, puffy jacket and a pair of waterproof snow pants.

“I don’t mean to blow it out of proportion and say it’s life-changing, but you can go and do stuff outside and not be in pain the whole entire time,” he said.

He’s hesitated to wear his snow pants when he’d like to project some semblance of style, such as at a brewery patio. And while he showed up at the outdoor photo shoot for his new album wearing snow pants, he removed them before the camera started clicking. “But the grocery store — I don’t care who sees me in snow pants,” he said.

LeBlanc has also worn his new gear on walks, to an outdoor concert, deer hunting with his dad, and tinkering on his car.

“As naive as it sounds, I didn’t realize I could be outside when it’s 10 degrees and feel like I’m walking around inside,” he said.

Now, LeBlanc regularly extols the virtues of a warm lower half.

“I’ve been preaching the snow pants gospel, and we’ll see how many converts I get,” he said.

Fueling a ‘pantsdemic’

Among Minneapolis’ biggest snow pants evangelists is Charlie McCarron, organizer of an outdoor activity club he calls “Snowpantsdemic.”

This winter, McCarron busted out a pair of snow pants he hadn’t worn since high school (“a lot of my clothes are from high school, even though I’m in my 30s,” he admitted) and invited his friends to bimonthly outings, including snow kickball, sledding, and a game he invented that’s a sort of cross between boot hockey and golf. (McCarron dabbles in board-game design alongside his work as a composer.)

While McCarron has been using snow pants to inspire his friends to embrace their inner child, Hannah Aderinkomi bought her new snow pants simply to stay as warm as her kids.

In the past, when Aderinkomi took her young children sledding, she’d add a base layer beneath her pants. The last time she wore snow pants was grade school. “It’s almost like it didn’t occur to me to buy them for myself, even though I was buying them every year for my kids,” she said.

This season was different: If she was going to fully appreciate Minnesota winter, Aderinkomi wanted to be comfortable. So she ordered a pair of snow pants online and wore them on the family’s next trip to the sledding hill. Her husband, Thompson Aderinkomi, then decided to upgrade from double-layering pants to his own pair of snow pants. Since then, the couple have been as cozy as their kids every time the family has played outside or gone snowshoeing.

“I’m always cold, so the fact it took me so long is sort of fascinating — I’ve lived here my entire adult life,” Hannah Aderinkomi admitted.

In some ways, she said, buying snow pants was an unlikely form of pandemic self-care, not so different from the services that clients of her Minneapolis laser hair removal/skin-care business use to treat themselves. “Maybe adult snow pants were just something that I did for myself,” she said.

In any case, Aderinkomi is happy to have embraced a new era of outdoor warmth. “We built a snowman the other day and I think old Hannah would have done that, too, but this Hannah was a bit more comfortable,” she said.

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