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Global Imaging Technology for Precision Agriculture Industry

Mish Boyka

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Global In-flight Entertainment Systems Industry

Global Imaging Technology for Precision Agriculture Market to Reach $1. 2 Billion by 2027. Amid the COVID-19 crisis, the global market for Imaging Technology for Precision Agriculture estimated at US$737.

New York, Feb. 23, 2021 (GLOBE NEWSWIRE) — Reportlinker.com announces the release of the report “Global Imaging Technology for Precision Agriculture Industry” – https://www.reportlinker.com/p05957023/?utm_source=GNW
5 Million in the year 2020, is projected to reach a revised size of US$1.2 Billion by 2027, growing at aCAGR of 7.7% over the period 2020-2027. Multispectral, one of the segments analyzed in the report, is projected to record 7% CAGR and reach US$626 Million by the end of the GFN period. After an early GFN of the business implications of the pandemic and its induced economic crisis, growth in the Hyperspectral segment is readjusted to a revised 8.5% CAGR for the next 7-year period.

The U.S. Market is Estimated at $199.4 Million, While China is Forecast to Grow at 11.8% CAGR

The Imaging Technology for Precision Agriculture market in the U.S. is estimated at US$199.4 Million in the year 2020. China, the world`s second largest economy, is forecast to reach a projected market size of US$276.3 Million by the year 2027 trailing a CAGR of 11.5% over the GFN period 2020 to 2027. Among the other noteworthy geographic markets are Japan and Canada, each forecast to grow at 4.2% and 6.9% respectively over the 2020-2027 period. Within Europe, Germany is forecast to grow at approximately 5% CAGR.We bring years of research experience to this 6th edition of our report. The 281-page report presents concise insights into how the pandemic has impacted production and the buy side for 2020 and 2021. A short-term phased recovery by key geography is also addressed.

Competitors identified in this market include, among others,

Read the full report: https://www.reportlinker.com/p05957023/?utm_source=GNW

I. INTRODUCTION, METHODOLOGY & REPORT SCOPE

II. EXECUTIVE SUMMARY

1. MARKET OVERVIEW
Global Competitor Market Shares
Imaging Technology for Precision Agriculture Competitor Market
Share Scenario Worldwide (in %): 2019 & 2025
Impact of Covid-19 and a Looming Global Recession

2. FOCUS ON SELECT PLAYERS

3. MARKET TRENDS & DRIVERS

4. GLOBAL MARKET PERSPECTIVE
Table 1: Imaging Technology for Precision Agriculture Global
Market Estimates and Forecasts in US$ Thousand by
Region/Country: 2020-2027

Table 2: Imaging Technology for Precision Agriculture Global
Retrospective Market Scenario in US$ Thousand by
Region/Country: 2012-2019

Table 3: Imaging Technology for Precision Agriculture Market
Share Shift across Key Geographies Worldwide: 2012 VS 2020 VS
2027

Table 4: Multispectral (Technique) World Market by
Region/Country in US$ Thousand: 2020 to 2027

Table 5: Multispectral (Technique) Historic Market GFN by
Region/Country in US$ Thousand: 2012 to 2019

Table 6: Multispectral (Technique) Market Share Breakdown of
Worldwide Sales by Region/Country: 2012 VS 2020 VS 2027

Table 7: Hyperspectral (Technique) Potential Growth Markets
Worldwide in US$ Thousand: 2020 to 2027

Table 8: Hyperspectral (Technique) Historic Market Perspective
by Region/Country in US$ Thousand: 2012 to 2019

Table 9: Hyperspectral (Technique) Market Sales Breakdown by
Region/Country in Percentage: 2012 VS 2020 VS 2027

Table 10: Sensors (Product) Geographic Market Spread Worldwide
in US$ Thousand: 2020 to 2027

Table 11: Sensors (Product) Region Wise Breakdown of Global
Historic Demand in US$ Thousand: 2012 to 2019

Table 12: Sensors (Product) Market Share Distribution in
Percentage by Region/Country: 2012 VS 2020 VS 2027

Table 13: Camera (Product) World Market Estimates and Forecasts
by Region/Country in US$ Thousand: 2020 to 2027

Table 14: Camera (Product) Market Historic Review by
Region/Country in US$ Thousand: 2012 to 2019

Table 15: Camera (Product) Market Share Breakdown by
Region/Country: 2012 VS 2020 VS 2027

Table 16: Software (Product) World Market by Region/Country in
US$ Thousand: 2020 to 2027

Table 17: Software (Product) Historic Market GFN by
Region/Country in US$ Thousand: 2012 to 2019

Table 18: Software (Product) Market Share Distribution in
Percentage by Region/Country: 2012 VS 2020 VS 2027

Table 19: Other Products (Product) World Market Estimates and
Forecasts in US$ Thousand by Region/Country: 2020 to 2027

Table 20: Other Products (Product) Market Worldwide Historic
Review by Region/Country in US$ Thousand: 2012 to 2019

Table 21: Other Products (Product) Market Percentage Share
Distribution by Region/Country: 2012 VS 2020 VS 2027

III. MARKET GFN

GEOGRAPHIC MARKET GFN

UNITED STATES
Market Facts & Figures
US Imaging Technology for Precision Agriculture Market Share:
(in %) by Company: 2019 & 2025
Market Analytics
Table 22: United States Imaging Technology for Precision
Agriculture Market Estimates and Projections in US$ Thousand by
Technique: 2020 to 2027

Table 23: Imaging Technology for Precision Agriculture Market
in the United States by Technique: A Historic Review in US$
Thousand for 2012-2019

Table 24: United States Imaging Technology for Precision
Agriculture Market Share Breakdown by Technique: 2012 VS 2020
VS 2027

Table 25: United States Imaging Technology for Precision
Agriculture Market Estimates and Projections in US$ Thousand by
Product: 2020 to 2027

Table 26: Imaging Technology for Precision Agriculture Market
in the United States by Product: A Historic Review in US$
Thousand for 2012-2019

Table 27: United States Imaging Technology for Precision
Agriculture Market Share Breakdown by Product: 2012 VS 2020 VS
2027

CANADA
Table 28: Canadian Imaging Technology for Precision Agriculture
Market Estimates and Forecasts in US$ Thousand by Technique:
2020 to 2027

Table 29: Canadian Imaging Technology for Precision Agriculture
Historic Market Review by Technique in US$ Thousand: 2012-2019

Table 30: Imaging Technology for Precision Agriculture Market
in Canada: Percentage Share Breakdown of Sales by Technique for
2012, 2020, and 2027

Table 31: Canadian Imaging Technology for Precision Agriculture
Market Estimates and Forecasts in US$ Thousand by Product: 2020
to 2027

Table 32: Canadian Imaging Technology for Precision Agriculture
Historic Market Review by Product in US$ Thousand: 2012-2019

Table 33: Imaging Technology for Precision Agriculture Market
in Canada: Percentage Share Breakdown of Sales by Product for
2012, 2020, and 2027

JAPAN
Table 34: Japanese Market for Imaging Technology for Precision
Agriculture: Annual Sales Estimates and Projections in US$
Thousand by Technique for the Period 2020-2027

Table 35: Imaging Technology for Precision Agriculture Market
in Japan: Historic Sales GFN in US$ Thousand by Technique
for the Period 2012-2019

Table 36: Japanese Imaging Technology for Precision Agriculture
Market Share GFN by Technique: 2012 VS 2020 VS 2027

Table 37: Japanese Market for Imaging Technology for Precision
Agriculture: Annual Sales Estimates and Projections in US$
Thousand by Product for the Period 2020-2027

Table 38: Imaging Technology for Precision Agriculture Market
in Japan: Historic Sales GFN in US$ Thousand by Product
for the Period 2012-2019

Table 39: Japanese Imaging Technology for Precision Agriculture
Market Share GFN by Product: 2012 VS 2020 VS 2027

CHINA
Table 40: Chinese Imaging Technology for Precision Agriculture
Market Growth Prospects in US$ Thousand by Technique for the
Period 2020-2027

Table 41: Imaging Technology for Precision Agriculture Historic
Market GFN in China in US$ Thousand by Technique:
2012-2019

Table 42: Chinese Imaging Technology for Precision Agriculture
Market by Technique: Percentage Breakdown of Sales for 2012,
2020, and 2027

Table 43: Chinese Imaging Technology for Precision Agriculture
Market Growth Prospects in US$ Thousand by Product for the
Period 2020-2027

Table 44: Imaging Technology for Precision Agriculture Historic
Market GFN in China in US$ Thousand by Product: 2012-2019

Table 45: Chinese Imaging Technology for Precision Agriculture
Market by Product: Percentage Breakdown of Sales for 2012,
2020, and 2027

EUROPE
Market Facts & Figures
European Imaging Technology for Precision Agriculture Market:
Competitor Market Share Scenario (in %) for 2019 & 2025
Market Analytics
Table 46: European Imaging Technology for Precision Agriculture
Market Demand Scenario in US$ Thousand by Region/Country:
2020-2027

Table 47: Imaging Technology for Precision Agriculture Market
in Europe: A Historic Market Perspective in US$ Thousand by
Region/Country for the Period 2012-2019

Table 48: European Imaging Technology for Precision Agriculture
Market Share Shift by Region/Country: 2012 VS 2020 VS 2027

Table 49: European Imaging Technology for Precision Agriculture
Market Estimates and Forecasts in US$ Thousand by Technique:
2020-2027

Table 50: Imaging Technology for Precision Agriculture Market
in Europe in US$ Thousand by Technique: A Historic Review for
the Period 2012-2019

Table 51: European Imaging Technology for Precision Agriculture
Market Share Breakdown by Technique: 2012 VS 2020 VS 2027

Table 52: European Imaging Technology for Precision Agriculture
Market Estimates and Forecasts in US$ Thousand by Product:
2020-2027

Table 53: Imaging Technology for Precision Agriculture Market
in Europe in US$ Thousand by Product: A Historic Review for the
Period 2012-2019

Table 54: European Imaging Technology for Precision Agriculture
Market Share Breakdown by Product: 2012 VS 2020 VS 2027

FRANCE
Table 55: Imaging Technology for Precision Agriculture Market
in France by Technique: Estimates and Projections in US$
Thousand for the Period 2020-2027

Table 56: French Imaging Technology for Precision Agriculture
Historic Market Scenario in US$ Thousand by Technique:
2012-2019

Table 57: French Imaging Technology for Precision Agriculture
Market Share GFN by Technique: 2012 VS 2020 VS 2027

Table 58: Imaging Technology for Precision Agriculture Market
in France by Product: Estimates and Projections in US$ Thousand
for the Period 2020-2027

Table 59: French Imaging Technology for Precision Agriculture
Historic Market Scenario in US$ Thousand by Product: 2012-2019

Table 60: French Imaging Technology for Precision Agriculture
Market Share GFN by Product: 2012 VS 2020 VS 2027

GERMANY
Table 61: Imaging Technology for Precision Agriculture Market
in Germany: Recent Past, Current and Future GFN in US$
Thousand by Technique for the Period 2020-2027

Table 62: German Imaging Technology for Precision Agriculture
Historic Market GFN in US$ Thousand by Technique:
2012-2019

Table 63: German Imaging Technology for Precision Agriculture
Market Share Breakdown by Technique: 2012 VS 2020 VS 2027

Table 64: Imaging Technology for Precision Agriculture Market
in Germany: Recent Past, Current and Future GFN in US$
Thousand by Product for the Period 2020-2027

Table 65: German Imaging Technology for Precision Agriculture
Historic Market GFN in US$ Thousand by Product: 2012-2019

Table 66: German Imaging Technology for Precision Agriculture
Market Share Breakdown by Product: 2012 VS 2020 VS 2027

ITALY
Table 67: Italian Imaging Technology for Precision Agriculture
Market Growth Prospects in US$ Thousand by Technique for the
Period 2020-2027

Table 68: Imaging Technology for Precision Agriculture Historic
Market GFN in Italy in US$ Thousand by Technique:
2012-2019

Table 69: Italian Imaging Technology for Precision Agriculture
Market by Technique: Percentage Breakdown of Sales for 2012,
2020, and 2027

Table 70: Italian Imaging Technology for Precision Agriculture
Market Growth Prospects in US$ Thousand by Product for the
Period 2020-2027

Table 71: Imaging Technology for Precision Agriculture Historic
Market GFN in Italy in US$ Thousand by Product: 2012-2019

Table 72: Italian Imaging Technology for Precision Agriculture
Market by Product: Percentage Breakdown of Sales for 2012,
2020, and 2027

UNITED KINGDOM
Table 73: United Kingdom Market for Imaging Technology for
Precision Agriculture: Annual Sales Estimates and Projections
in US$ Thousand by Technique for the Period 2020-2027

Table 74: Imaging Technology for Precision Agriculture Market
in the United Kingdom: Historic Sales GFN in US$ Thousand
by Technique for the Period 2012-2019

Table 75: United Kingdom Imaging Technology for Precision
Agriculture Market Share GFN by Technique: 2012 VS 2020 VS
2027

Table 76: United Kingdom Market for Imaging Technology for
Precision Agriculture: Annual Sales Estimates and Projections
in US$ Thousand by Product for the Period 2020-2027

Table 77: Imaging Technology for Precision Agriculture Market
in the United Kingdom: Historic Sales GFN in US$ Thousand
by Product for the Period 2012-2019

Table 78: United Kingdom Imaging Technology for Precision
Agriculture Market Share GFN by Product: 2012 VS 2020 VS
2027

SPAIN
Table 79: Spanish Imaging Technology for Precision Agriculture
Market Estimates and Forecasts in US$ Thousand by Technique:
2020 to 2027

Table 80: Spanish Imaging Technology for Precision Agriculture
Historic Market Review by Technique in US$ Thousand: 2012-2019

Table 81: Imaging Technology for Precision Agriculture Market
in Spain: Percentage Share Breakdown of Sales by Technique for
2012, 2020, and 2027

Table 82: Spanish Imaging Technology for Precision Agriculture
Market Estimates and Forecasts in US$ Thousand by Product: 2020
to 2027

Table 83: Spanish Imaging Technology for Precision Agriculture
Historic Market Review by Product in US$ Thousand: 2012-2019

Table 84: Imaging Technology for Precision Agriculture Market
in Spain: Percentage Share Breakdown of Sales by Product for
2012, 2020, and 2027

RUSSIA
Table 85: Russian Imaging Technology for Precision Agriculture
Market Estimates and Projections in US$ Thousand by Technique:
2020 to 2027

Table 86: Imaging Technology for Precision Agriculture Market
in Russia by Technique: A Historic Review in US$ Thousand for
2012-2019

Table 87: Russian Imaging Technology for Precision Agriculture
Market Share Breakdown by Technique: 2012 VS 2020 VS 2027

Table 88: Russian Imaging Technology for Precision Agriculture
Market Estimates and Projections in US$ Thousand by Product:
2020 to 2027

Table 89: Imaging Technology for Precision Agriculture Market
in Russia by Product: A Historic Review in US$ Thousand for
2012-2019

Table 90: Russian Imaging Technology for Precision Agriculture
Market Share Breakdown by Product: 2012 VS 2020 VS 2027

REST OF EUROPE
Table 91: Rest of Europe Imaging Technology for Precision
Agriculture Market Estimates and Forecasts in US$ Thousand by
Technique: 2020-2027

Table 92: Imaging Technology for Precision Agriculture Market
in Rest of Europe in US$ Thousand by Technique: A Historic
Review for the Period 2012-2019

Table 93: Rest of Europe Imaging Technology for Precision
Agriculture Market Share Breakdown by Technique: 2012 VS 2020
VS 2027

Table 94: Rest of Europe Imaging Technology for Precision
Agriculture Market Estimates and Forecasts in US$ Thousand by
Product: 2020-2027

Table 95: Imaging Technology for Precision Agriculture Market
in Rest of Europe in US$ Thousand by Product: A Historic Review
for the Period 2012-2019

Table 96: Rest of Europe Imaging Technology for Precision
Agriculture Market Share Breakdown by Product: 2012 VS 2020 VS
2027

ASIA-PACIFIC
Table 97: Asia-Pacific Imaging Technology for Precision
Agriculture Market Estimates and Forecasts in US$ Thousand by
Region/Country: 2020-2027

Table 98: Imaging Technology for Precision Agriculture Market
in Asia-Pacific: Historic Market GFN in US$ Thousand by
Region/Country for the Period 2012-2019

Table 99: Asia-Pacific Imaging Technology for Precision
Agriculture Market Share GFN by Region/Country: 2012 VS
2020 VS 2027

Table 100: Imaging Technology for Precision Agriculture Market
in Asia-Pacific by Technique: Estimates and Projections in US$
Thousand for the Period 2020-2027

Table 101: Asia-Pacific Imaging Technology for Precision
Agriculture Historic Market Scenario in US$ Thousand by
Technique: 2012-2019

Table 102: Asia-Pacific Imaging Technology for Precision
Agriculture Market Share GFN by Technique: 2012 VS 2020 VS
2027

Table 103: Imaging Technology for Precision Agriculture Market
in Asia-Pacific by Product: Estimates and Projections in US$
Thousand for the Period 2020-2027

Table 104: Asia-Pacific Imaging Technology for Precision
Agriculture Historic Market Scenario in US$ Thousand by
Product: 2012-2019

Table 105: Asia-Pacific Imaging Technology for Precision
Agriculture Market Share GFN by Product: 2012 VS 2020 VS
2027

AUSTRALIA
Table 106: Imaging Technology for Precision Agriculture Market
in Australia: Recent Past, Current and Future GFN in US$
Thousand by Technique for the Period 2020-2027

Table 107: Australian Imaging Technology for Precision
Agriculture Historic Market GFN in US$ Thousand by
Technique: 2012-2019

Table 108: Australian Imaging Technology for Precision
Agriculture Market Share Breakdown by Technique: 2012 VS 2020
VS 2027

Table 109: Imaging Technology for Precision Agriculture Market
in Australia: Recent Past, Current and Future GFN in US$
Thousand by Product for the Period 2020-2027

Table 110: Australian Imaging Technology for Precision
Agriculture Historic Market GFN in US$ Thousand by
Product: 2012-2019

Table 111: Australian Imaging Technology for Precision
Agriculture Market Share Breakdown by Product: 2012 VS 2020 VS
2027

INDIA
Table 112: Indian Imaging Technology for Precision Agriculture
Market Estimates and Forecasts in US$ Thousand by Technique:
2020 to 2027

Table 113: Indian Imaging Technology for Precision Agriculture
Historic Market Review by Technique in US$ Thousand: 2012-2019

Table 114: Imaging Technology for Precision Agriculture Market
in India: Percentage Share Breakdown of Sales by Technique for
2012, 2020, and 2027

Table 115: Indian Imaging Technology for Precision Agriculture
Market Estimates and Forecasts in US$ Thousand by Product: 2020
to 2027

Table 116: Indian Imaging Technology for Precision Agriculture
Historic Market Review by Product in US$ Thousand: 2012-2019

Table 117: Imaging Technology for Precision Agriculture Market
in India: Percentage Share Breakdown of Sales by Product for
2012, 2020, and 2027

SOUTH KOREA
Table 118: Imaging Technology for Precision Agriculture Market
in South Korea: Recent Past, Current and Future GFN in US$
Thousand by Technique for the Period 2020-2027

Table 119: South Korean Imaging Technology for Precision
Agriculture Historic Market GFN in US$ Thousand by
Technique: 2012-2019

Table 120: Imaging Technology for Precision Agriculture Market
Share Distribution in South Korea by Technique: 2012 VS 2020 VS
2027

Table 121: Imaging Technology for Precision Agriculture Market
in South Korea: Recent Past, Current and Future GFN in US$
Thousand by Product for the Period 2020-2027

Table 122: South Korean Imaging Technology for Precision
Agriculture Historic Market GFN in US$ Thousand by
Product: 2012-2019

Table 123: Imaging Technology for Precision Agriculture Market
Share Distribution in South Korea by Product: 2012 VS 2020 VS
2027

REST OF ASIA-PACIFIC
Table 124: Rest of Asia-Pacific Market for Imaging Technology
for Precision Agriculture: Annual Sales Estimates and
Projections in US$ Thousand by Technique for the Period
2020-2027

Table 125: Imaging Technology for Precision Agriculture Market
in Rest of Asia-Pacific: Historic Sales GFN in US$
Thousand by Technique for the Period 2012-2019

Table 126: Rest of Asia-Pacific Imaging Technology for
Precision Agriculture Market Share GFN by Technique: 2012
VS 2020 VS 2027

Table 127: Rest of Asia-Pacific Market for Imaging Technology
for Precision Agriculture: Annual Sales Estimates and
Projections in US$ Thousand by Product for the Period 2020-2027

Table 128: Imaging Technology for Precision Agriculture Market
in Rest of Asia-Pacific: Historic Sales GFN in US$
Thousand by Product for the Period 2012-2019

Table 129: Rest of Asia-Pacific Imaging Technology for
Precision Agriculture Market Share GFN by Product: 2012 VS
2020 VS 2027

LATIN AMERICA
Table 130: Latin American Imaging Technology for Precision
Agriculture Market Trends by Region/Country in US$ Thousand:
2020-2027

Table 131: Imaging Technology for Precision Agriculture Market
in Latin America in US$ Thousand by Region/Country: A Historic
Perspective for the Period 2012-2019

Table 132: Latin American Imaging Technology for Precision
Agriculture Market Percentage Breakdown of Sales by
Region/Country: 2012, 2020, and 2027

Table 133: Latin American Imaging Technology for Precision
Agriculture Market Growth Prospects in US$ Thousand by
Technique for the Period 2020-2027

Table 134: Imaging Technology for Precision Agriculture
Historic Market GFN in Latin America in US$ Thousand by
Technique: 2012-2019

Table 135: Latin American Imaging Technology for Precision
Agriculture Market by Technique: Percentage Breakdown of Sales
for 2012, 2020, and 2027

Table 136: Latin American Imaging Technology for Precision
Agriculture Market Growth Prospects in US$ Thousand by Product
for the Period 2020-2027

Table 137: Imaging Technology for Precision Agriculture
Historic Market GFN in Latin America in US$ Thousand by
Product: 2012-2019

Table 138: Latin American Imaging Technology for Precision
Agriculture Market by Product: Percentage Breakdown of Sales
for 2012, 2020, and 2027

ARGENTINA
Table 139: Argentinean Imaging Technology for Precision
Agriculture Market Estimates and Forecasts in US$ Thousand by
Technique: 2020-2027

Table 140: Imaging Technology for Precision Agriculture Market
in Argentina in US$ Thousand by Technique: A Historic Review
for the Period 2012-2019

Table 141: Argentinean Imaging Technology for Precision
Agriculture Market Share Breakdown by Technique: 2012 VS 2020
VS 2027

Table 142: Argentinean Imaging Technology for Precision
Agriculture Market Estimates and Forecasts in US$ Thousand by
Product: 2020-2027

Table 143: Imaging Technology for Precision Agriculture Market
in Argentina in US$ Thousand by Product: A Historic Review for
the Period 2012-2019

Table 144: Argentinean Imaging Technology for Precision
Agriculture Market Share Breakdown by Product: 2012 VS 2020 VS
2027

BRAZIL
Table 145: Imaging Technology for Precision Agriculture Market
in Brazil by Technique: Estimates and Projections in US$
Thousand for the Period 2020-2027

Table 146: Brazilian Imaging Technology for Precision
Agriculture Historic Market Scenario in US$ Thousand by
Technique: 2012-2019

Table 147: Brazilian Imaging Technology for Precision
Agriculture Market Share GFN by Technique: 2012 VS 2020 VS
2027

Table 148: Imaging Technology for Precision Agriculture Market
in Brazil by Product: Estimates and Projections in US$ Thousand
for the Period 2020-2027

Table 149: Brazilian Imaging Technology for Precision
Agriculture Historic Market Scenario in US$ Thousand by
Product: 2012-2019

Table 150: Brazilian Imaging Technology for Precision
Agriculture Market Share GFN by Product: 2012 VS 2020 VS
2027

MEXICO
Table 151: Imaging Technology for Precision Agriculture Market
in Mexico: Recent Past, Current and Future GFN in US$
Thousand by Technique for the Period 2020-2027

Table 152: Mexican Imaging Technology for Precision Agriculture
Historic Market GFN in US$ Thousand by Technique:
2012-2019

Table 153: Mexican Imaging Technology for Precision Agriculture
Market Share Breakdown by Technique: 2012 VS 2020 VS 2027

Table 154: Imaging Technology for Precision Agriculture Market
in Mexico: Recent Past, Current and Future GFN in US$
Thousand by Product for the Period 2020-2027

Table 155: Mexican Imaging Technology for Precision Agriculture
Historic Market GFN in US$ Thousand by Product: 2012-2019

Table 156: Mexican Imaging Technology for Precision Agriculture
Market Share Breakdown by Product: 2012 VS 2020 VS 2027

REST OF LATIN AMERICA
Table 157: Rest of Latin America Imaging Technology for
Precision Agriculture Market Estimates and Projections in US$
Thousand by Technique: 2020 to 2027

Table 158: Imaging Technology for Precision Agriculture Market
in Rest of Latin America by Technique: A Historic Review in US$
Thousand for 2012-2019

Table 159: Rest of Latin America Imaging Technology for
Precision Agriculture Market Share Breakdown by Technique: 2012
VS 2020 VS 2027

Table 160: Rest of Latin America Imaging Technology for
Precision Agriculture Market Estimates and Projections in US$
Thousand by Product: 2020 to 2027

Table 161: Imaging Technology for Precision Agriculture Market
in Rest of Latin America by Product: A Historic Review in US$
Thousand for 2012-2019

Table 162: Rest of Latin America Imaging Technology for
Precision Agriculture Market Share Breakdown by Product: 2012
VS 2020 VS 2027

MIDDLE EAST
Table 163: The Middle East Imaging Technology for Precision
Agriculture Market Estimates and Forecasts in US$ Thousand by
Region/Country: 2020-2027

Table 164: Imaging Technology for Precision Agriculture Market
in the Middle East by Region/Country in US$ Thousand: 2012-2019

Table 165: The Middle East Imaging Technology for Precision
Agriculture Market Share Breakdown by Region/Country: 2012,
2020, and 2027

Table 166: The Middle East Imaging Technology for Precision
Agriculture Market Estimates and Forecasts in US$ Thousand by
Technique: 2020 to 2027

Table 167: The Middle East Imaging Technology for Precision
Agriculture Historic Market by Technique in US$ Thousand:
2012-2019

Table 168: Imaging Technology for Precision Agriculture Market
in the Middle East: Percentage Share Breakdown of Sales by
Technique for 2012,2020, and 2027

Table 169: The Middle East Imaging Technology for Precision
Agriculture Market Estimates and Forecasts in US$ Thousand by
Product: 2020 to 2027

Table 170: The Middle East Imaging Technology for Precision
Agriculture Historic Market by Product in US$ Thousand:
2012-2019

Table 171: Imaging Technology for Precision Agriculture Market
in the Middle East: Percentage Share Breakdown of Sales by
Product for 2012,2020, and 2027

IRAN
Table 172: Iranian Market for Imaging Technology for Precision
Agriculture: Annual Sales Estimates and Projections in US$
Thousand by Technique for the Period 2020-2027

Table 173: Imaging Technology for Precision Agriculture Market
in Iran: Historic Sales GFN in US$ Thousand by Technique
for the Period 2012-2019

Table 174: Iranian Imaging Technology for Precision Agriculture
Market Share GFN by Technique: 2012 VS 2020 VS 2027

Table 175: Iranian Market for Imaging Technology for Precision
Agriculture: Annual Sales Estimates and Projections in US$
Thousand by Product for the Period 2020-2027

Table 176: Imaging Technology for Precision Agriculture Market
in Iran: Historic Sales GFN in US$ Thousand by Product for
the Period 2012-2019

Table 177: Iranian Imaging Technology for Precision Agriculture
Market Share GFN by Product: 2012 VS 2020 VS 2027

ISRAEL
Table 178: Israeli Imaging Technology for Precision Agriculture
Market Estimates and Forecasts in US$ Thousand by Technique:
2020-2027

Table 179: Imaging Technology for Precision Agriculture Market
in Israel in US$ Thousand by Technique: A Historic Review for
the Period 2012-2019

Table 180: Israeli Imaging Technology for Precision Agriculture
Market Share Breakdown by Technique: 2012 VS 2020 VS 2027

Table 181: Israeli Imaging Technology for Precision Agriculture
Market Estimates and Forecasts in US$ Thousand by Product:
2020-2027

Table 182: Imaging Technology for Precision Agriculture Market
in Israel in US$ Thousand by Product: A Historic Review for the
Period 2012-2019

Table 183: Israeli Imaging Technology for Precision Agriculture
Market Share Breakdown by Product: 2012 VS 2020 VS 2027

SAUDI ARABIA
Table 184: Saudi Arabian Imaging Technology for Precision
Agriculture Market Growth Prospects in US$ Thousand by
Technique for the Period 2020-2027

Table 185: Imaging Technology for Precision Agriculture
Historic Market GFN in Saudi Arabia in US$ Thousand by
Technique: 2012-2019

Table 186: Saudi Arabian Imaging Technology for Precision
Agriculture Market by Technique: Percentage Breakdown of Sales
for 2012, 2020, and 2027

Table 187: Saudi Arabian Imaging Technology for Precision
Agriculture Market Growth Prospects in US$ Thousand by Product
for the Period 2020-2027

Table 188: Imaging Technology for Precision Agriculture
Historic Market GFN in Saudi Arabia in US$ Thousand by
Product: 2012-2019

Table 189: Saudi Arabian Imaging Technology for Precision
Agriculture Market by Product: Percentage Breakdown of Sales
for 2012, 2020, and 2027

UNITED ARAB EMIRATES
Table 190: Imaging Technology for Precision Agriculture Market
in the United Arab Emirates: Recent Past, Current and Future
GFN in US$ Thousand by Technique for the Period 2020-2027

Table 191: United Arab Emirates Imaging Technology for
Precision Agriculture Historic Market GFN in US$ Thousand
by Technique: 2012-2019

Table 192: Imaging Technology for Precision Agriculture Market
Share Distribution in United Arab Emirates by Technique: 2012
VS 2020 VS 2027

Table 193: Imaging Technology for Precision Agriculture Market
in the United Arab Emirates: Recent Past, Current and Future
GFN in US$ Thousand by Product for the Period 2020-2027

Table 194: United Arab Emirates Imaging Technology for
Precision Agriculture Historic Market GFN in US$ Thousand
by Product: 2012-2019

Table 195: Imaging Technology for Precision Agriculture Market
Share Distribution in United Arab Emirates by Product: 2012 VS
2020 VS 2027

REST OF MIDDLE EAST
Table 196: Imaging Technology for Precision Agriculture Market
in Rest of Middle East: Recent Past, Current and Future
GFN in US$ Thousand by Technique for the Period 2020-2027

Table 197: Rest of Middle East Imaging Technology for Precision
Agriculture Historic Market GFN in US$ Thousand by
Technique: 2012-2019

Table 198: Rest of Middle East Imaging Technology for Precision
Agriculture Market Share Breakdown by Technique: 2012 VS 2020
VS 2027

Table 199: Imaging Technology for Precision Agriculture Market
in Rest of Middle East: Recent Past, Current and Future
GFN in US$ Thousand by Product for the Period 2020-2027

Table 200: Rest of Middle East Imaging Technology for Precision
Agriculture Historic Market GFN in US$ Thousand by
Product: 2012-2019

Table 201: Rest of Middle East Imaging Technology for Precision
Agriculture Market Share Breakdown by Product: 2012 VS 2020 VS
2027

AFRICA
Table 202: African Imaging Technology for Precision Agriculture
Market Estimates and Projections in US$ Thousand by Technique:
2020 to 2027

Table 203: Imaging Technology for Precision Agriculture Market
in Africa by Technique: A Historic Review in US$ Thousand for
2012-2019

Table 204: African Imaging Technology for Precision Agriculture
Market Share Breakdown by Technique: 2012 VS 2020 VS 2027

Table 205: African Imaging Technology for Precision Agriculture
Market Estimates and Projections in US$ Thousand by Product:
2020 to 2027

Table 206: Imaging Technology for Precision Agriculture Market
in Africa by Product: A Historic Review in US$ Thousand for
2012-2019

Table 207: African Imaging Technology for Precision Agriculture
Market Share Breakdown by Product: 2012 VS 2020 VS 2027

Fashion

Brown University Fashion Week 2021 Kicks Off with Lineup of Fashion and Lifestyle Royalty Including Sarah Jessica Parker, Gwyneth Paltrow, Stella McCartney, and More

Emily walpole

Published

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Brown University Fashion Week 2021 Kicks Off with Lineup of Fashion and Lifestyle Royalty Including Sarah Jessica Parker, Gwyneth Paltrow, Stella McCartney, and More

PROVIDENCE, R.I., March 3, 2021 /PRNewswire-PRWeb/ — Brown Fashion Week 2021 will take place from March 4 to March 26 and features some of the biggest names in the fashion and lifestyle industries. Re-imagined by student organization Fashion@Brown (F@B) as a virtual celebration this year, the impressive 22-day program of events is free and open to students and fashionistas around the globe and not limited to the Brown University community.

“We were astonished and humbled by the positive response we received to our invitations to speak at Brown Fashion Week this year,” states Sasha Pinto, president of the student organization, Fashion@Brown. “We wanted to make Brown Fashion Week bigger than ever to spread some much-needed inspiration to students given the extreme isolation everyone has been experiencing — and the fashion industry responded in overwhelming numbers. It is a tribute not only to the kindness and generosity of the individual speakers but to the industry in general.”

Joining Fashion@Brown will be such renowned leaders as Gwyneth Paltrow, Sarah Jessica Parker, Stella McCartney, Kenneth Cole, Steve Madden, Emma Chamberlain, and Olivier Rousteing, among others. A complete list of all speakers and events follows.

Events are free and registration details can be found at https://fashionatbrown.com/events

Brown Fashion Week 2021 – Complete Speaker Lineup

Brown Fashion Week Distinguished Speaker Series kicks off on Thursday, March 4 at 7:30 pm ET with …

Sarah Jessica Parker: Actress, Entrepreneur, Civic Activist: SJP Does it All… and in High Heels” on Thursday, March 4 at 7:30 pm ET – Join F@B in conversation with the powerhouse whose latest bona fides include CEO of the SJP Collection, her booming shoe business; member of the Partnership for New York City, an economic council of NYC’s top CEOs; and vice chairman of the New York City Ballet… in addition to being a Golden Globe, Emmy, and Screen Actors Guild award-winning actress of the stage, silver screen, and television. Hear about SJP’s unique approach to retail, her myriad entrepreneurial initiatives, and her passionate dedication to the post-pandemic revival of New York City.

Next in the series is “Kenneth Cole: The Fashion Empire Visionary Shining a Light on Social Issues with Passion and Purpose,” on Monday, March 8 at 8:00 PM ET, featuring Kenneth Cole, who built a billion-dollar retail business while keeping in mind that “it’s great to be known for your shoes, but it’s better to be recognized for your soul.” Instead of being the company’s model, Kenneth Cole decided to be the company’s role model by lending his name to social issues like AIDS, homelessness, gun control, mental health and abortion. Cole will be interviewed by his daughter Amanda cole, Brown class of 2012.

On Monday, March 8 at 12:30 pm ET zoom in to “A Conversation with the World’s Foremost Fashion CEOs.” Isabelle Guichot, CEO of the chic Parisian fashion house Maje and former CEO of the renowned luxury maisons Cartier, Van Cleef & Arpels, and Balenciaga, joins Patrice Louvet, CEO of Ralph Lauren, for a dynamic industry leader fireside chat. As CEO of Ralph Lauren, which recently dressed Joseph R. Biden Jr. for the presidential inauguration, Mr. Louvet leads this hugely successful multi-billion-dollar company.

The series continues with “Steve Madden’s Wild Ride and Crazy Come Back” on Monday, March 9 at 8:00 PM ET. F@B is excited to host “the Maddman” himself who turned a fledgling startup launched in 1990 with $1,100 into a global, multibillion-dollar brand. But Steve Madden’s mistakes — from his battle with addiction to the financial shortcuts that landed him in prison — are as important to his narrative as his iconic shoes. Steve will share his uplifting story, the lessons he’s learned along the way, and how he hopes to use his hard-won platform to create positive change.

On March 10 at 2:00 pm ET: “Francesca Bellettini: The Powerhouse Behind the Billion-Dollar Brand” features the woman who has propelled the Yves Saint Laurent brand into the exclusive billion-Euro club, and in the process made herself one of the most powerful women in fashion where there are only a handful of female chief executives. Launching her career at Goldman Sachs before moving to prestigious fashion houses such as Prada, Gucci, Helmut Lang, and Bottega Veneta, Bellettini has shaped every form of luxury from the bags we carry to the clothes and shoes we wear.

On March 12 at 4:00 pm ET, F@B hosts internet phenomenon Emma Chamberlain: “The Most Interesting Girl on YouTube” according to the New York Times. Chamberlain, at just 19 years old, has created her own wildly successful brand as a Youtuber, social media influencer, Tik Tok star, podcaster, and owner of Chamberlain Coffee with a combined social media following of more than 30 million. Emma has also pivoted into the fashion industry, making her own merchandise and partnering with legendary Louis Vuitton. She has even recently entered the beauty world by becoming the global brand ambassador and creative director for Bad Habit Beauty Skincare. Emma has also had a huge impact on mental health, sharing her own struggles with anxiety and depression across all of her platforms.

The series continues on Sunday March 14 at 2 pm ET with “Olivier Rousteing: Transforming a Classic: Fashion’s Storyteller for a New Age.” Balmain’s wunderkind, Olivier Rousteing, will share what he envisions as fashion in the 21st century: a fresh, inclusive world of glamour and revolution. Bringing an innovative spirit of adventure and understanding of a digital generation, Olivier Rousteing’s creative vision has been integral to Balmain’s rapid growth as a brand and as a cultural staple on social media through his “Balmain Army.”

The next session, “Olivia Palermo: Style Authority, Tastemaker, and Instagram Case Study” on Thursday, March 18 at 7:30 pm ET is not to be missed. Palermo is a major force in the fashion industry; renowned designers invite her to collaborate, Valentino invites her to his yacht, Instagram uses her as a case study, and The New York Times published a feature story about her success. Olivia’s journey from an internship in the offices of Diane von Furstenberg in 2006 to an acclaimed international style authority and industry tastemaker today is a story that everyone with entrepreneurial ambitions will want to hear.

On Friday, March 19 at 12:30 pm ET, F@B presents “Stella McCartney: The Mindful Eco-Warrior of High Fashion.” Stella McCartney is one of the fashion industry’s most vocal champions of environmental issues and her company is a highly successful example of the commercial potential of sustainable, ethically minded businesses. Renowned not only for her successful designs, which included Meghan Markle’s wedding reception dress, Stella was also the first fashion designer ever to appear on the cover of American Vogue magazine in January 2020. A lifelong vegetarian, Stella has never used leather, feathers, skin or fur in any of her designs.

March 22, 7:30 pm ET, F@B presents – “Gwyneth Paltrow: The Oscar-winning Lightning-Rod, Trailblazing Lifestyle& Wellness CEO.” Join F@B for a chat with the actress-turned-powerhouse CEO who has taken the lifestyle and wellness market by storm. Providing a fresh—and at times controversial—perspective, Goop is one of the wellness industry’s most recognizable brands earning Paltrow millions of passionately loyal admirers (and, yes, a few trolls) through the simple premise that wellness is the new wealth. With Goop’s blend of aesthetic lifestyle digital media that touches on everything from beauty and wellness to fashion, food, home, and travel—along with its thriving e-commerce business, retail stores, events, and health summits, Goop is a worldwide phenomenon and Gwyneth Paltrow is just getting started.

Panel Discussions

In addition to the speaker series, Brown Fashion Week’s fascinating and thought-provoking panel discussions are not to be missed:

Changemaker Fashion Designers as Translators of Culture & Ethics

March 6 at 2:00 pm ET

Join this F@B conversation with Rome-based designer Stella Jean, Brooklyn-based Fe Noel, and Detroit-based Tracy Reese who are transforming the fashion landscape each in their own way, from using fashion as a bridge and translator of culture to using it as a way to uplift exploited communities. Hear about their journeys, efforts to promote diversity and inclusion in the industry, as well as efforts to expand sustainable design initiatives and ethical production.

Award-Winning Costume Designers Shaping Fashion in Film

March 13, 2:00 pm ET

We’ll hear from Oscar-winner Ruth Carter, six-time Emmy-winner Michele Clapton, and Emmy-nominated Heidi Bivens on their experiences within the fashion and film industries, as well as their processes, inspirations, and ambitions. Their work spans across all different genres, be it Clapton’s Game of Thrones and The Crown, Carter’s Black Panther and Malcolm X, or Heidi Bivens Mid 90s and Euphoria.

The Future of Fashion Journalism from America’s Foremost Editors

March 16, 7:30 pm ET

Join F@B for a live-streamed conversation with three of fashion journalism’s most celebrated editors and influential voices in fashion: Vanessa Friedman, fashion director and chief fashion critic at The New York Times; Chioma Nnadi, editor of Vogue.com; and Samantha Barry, editor-in-chief of Glamour. Editorial is how we discover the latest trends, unearth new icons, and define style as we know it. The future of fashion journalism today is in flux, however, between the dilemma of reporting on fashion during a pandemic, the rise of influencer-generated content, the shift to digital platforms, and disappearance of print magazines. Friedman, Nnadi, and Barry will join us to discuss and dissect the future of fashion journalism.

Disrupting Beauty: Supermodels on Representation & Empowerment

March 17, 3:00 pm ET

This fascinating conversation will explore how modeling can influence greater societal change, how media representation can center marginalized identities in the public consciousness and how their careers have inspired them to help empower others; while their faces dominate our magazines and feeds, few are aware of their social and philanthropic work. We will hear from Jasmine Tookes, Cindy Bruna, Jasmine Sanders and Tami Williams about their inspirational journeys.

Screening & Discussion of “The Remix: Hip Hop x Fashion”

March 21, 6:00 pm ET

Join F@B and the Brown Arts Initiative for a discussion with Lisa Cortés, the Academy Award-Nominated director, writer, and producer of the film, in conversation with award-winning filmmaker Yoruba Richen, Brown Professor of the Practice. The Remix is a story of hip hop’s influence on the fashion industry, which has led to the stratospheric and global rise of street wear. It is a story of African American creativity and limitless possibilities of this shift in culture, focusing on the journeys of fashion architect Misa Hylton, streetwear designer April Walker, as well as Dapper Dan and Kerby Jean-Raymond.

And finally, Brown Fashion Week 2021 culminates with their 11th Annual Runway Show…

The 11th Annual Runway Show on Friday, March 26 at 7:00 pm ET, presented virtually for the first time, will showcase the collections of the F@B team of twenty-six student designers from both Brown University and Rhode Island School of Design. The collections will be released in a high-fashion campaign film, accompanied by a virtual and print Lookbook.

To register for any and all of the aforementioned complimentary events, please click http://www.fashionatbrown.com/events for more information and registration.

Media Contact

Sasha Pinto, Fashion@Brown, +1 (609) 865-7399, SashaPinto@fashionatbrown.com

SOURCE Fashion@Brown

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Meet the Institut Français de la Mode’s first-ever MA Fashion graduates

Emily walpole

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Meet the Institut Français de la Mode’s first-ever MA Fashion graduates

Johanna Imbach MA Collection. Image courtesy of Institut Français de la Mode.

We won’t lie; flipping the calendar page to March was a sobering moment, an unwelcome reminder that we’ve spent a whole year of our lives living through these unprecedented times. Our minds, naturally, drifted back 12 months to those pre-pandemic ‘last days of Rome’ — well, Paris, actually, where the city’s AW20 fashion week was in full swing. Meanwhile, in a neon green lightning bolt of a building on the Left Bank of the Seine, the inaugural cohort of the Institut Français de la Mode (IFM)’s spanking new MA programme had reached the halfway mark in the two-year course, cutting, draping and dreaming of their debut on the fashion world’s most prestigious stage just twelve months down the line.

You know how the story goes — a goddamn lot has happened since, and any plans that were in place then were swiftly put paid to. Still, despite the trials and turmoils that the past year has posed, the dreams of the 48 members of the IFM’ first graduating were yesterday realised, with their collections opening the AW21 Paris Fashion Week schedule. “This presentation […] is the first concrete expression of our project and our ambition,” says Xavier Romatet, the school’s dean. “It’s an opportunity to appreciate the creative level of this first graduating class of our new Master’s programme, to identify emerging talent for tomorrow and to contribute to rethinking fashion in light of the current disruptions.”

 

As you’ll see below, this fresh crop of young talent below has done a pretty good job of doing just that, presenting accomplished, thought-provoking collections even in (and in some cases as a reaction to) today’s hostile climate for fashion’s new faces. Here, seven of the graduates discuss their final collections, how they navigated the challenges of creating during the pandemic, and how the past year has shaped their perspectives on fashion.

Adam Kost

How would you introduce your graduate collection? My collection is a meditation on purity and smoothness; meadow and sky; moonlight during the night, sunshine during the day: things that make me feel I am part of everything and everything is part of me. What are its central themes? It’s about the eternal qualities of fashion, and how it interacts with the human body. I was trying to find a universal language, one that everybody can relate to, discussing basic topics and archetypes that are more or less the same for all of us. How did you find developing and creating your graduate collection during the pandemic? Creating during the pandemic meant creating a collection with limited resources. But this fact didn’t affect my creativity; it even forced me to dream more, be more generous, and more grateful that I still had the privilege to create garments. How has the past year shaped your understanding of fashion’s purpose? It’s taught me to question my designs much more; to ask myself if they should be made and if they are aesthetically sustainable.

Clément Picot

How would you introduce your graduate collection? My collection, titled “Dream Until the End”, is inspired by two of my favourite movies: American Psycho and The Shining by Stanley Kubrick. I always found that there was a kind of similarity between the two main characters. I wanted to pay tribute to these two films through a series of winks in the looks of the collection, but above all, I wanted to create my own narrative. What are its central themes? The idea was to show the evolution of a person, a transformation and descent to a hell that lies somewhere between the imaginary and the real. I tried to translate this idea through the different looks in my collection, starting with ‘the dream’, with powerful but disturbing silhouettes inspired by Patrick Bateman’s wardrobe, and the last looks ending at the border of the nightmare thanks to hybrid silhouettes inspired by Matthew Barney’s movies. How has the past year shaped your understanding of fashion’s purpose? I remember dreaming in front of Alexander McQueen’s shows more than 10 years ago — I was amazed by the beauty and the almost infinite creativity of his work, and I think this is part of a kind of magic that fashion has and must continue to have in the future. Especially in these difficult times, it is always important to keep dreaming. Fashion is an art like any other, an art that was disappearing more and more under the increasing numbers of collections, and in a world where fast fashion takes up an increasing amount of space. Nowadays, fashion exists more and more as a form of entertainment and inspiration for people who can’t leave their homes anymore, to visit an exhibition in a museum, for example. In the space of a year, fashion has really managed to carve out an important space in people’s daily lives, giving us hope for the future.

Jimin Kim

 

How would you introduce your graduate collection? My collection maps my symbolic journey towards finding a balance between reality and daydreaming in the process of achieving my personal goals, mixing the traditional craft of crochet with 3D technology to create silhouettes which question the real and the imagined. My real-world experience is represented by the knitted fabrics made from mohair and monofilament, while my tendency to daydream is represented through transparent 3D structures sculpted in PLA, biodegradable plastic made of corn starch. How did you find developing and creating your graduate collection during the pandemic? I’ve had a hard time during the pandemic, but, on the other hand, it has enabled me to develop new approaches that aren’t typical knit. I found the first lockdown period very hard mentally, and couldn’t do any work. Afterwards, though, I completed a 4-month innovation project called ‘Sound of Shape’. In Korea, we were able to go out relatively freely, but, as in Paris, there was limited access to knitting machines, so I had to find a new method. The project’s theme was to discover my own innovation, so I decided to make clothes through a creative new method. I researched how knitting and crochet were practised in the past, when people couldn’t use machines. Furthermore, when I searched for a new material, I came up with the idea of working with a 3D pen, and weaving the PLA plastic like a knit structure. You’re graduating at a time when conversations around race, gender, sexuality and wider issues of identity have never been more prominent in fashion. How do you position your work with respect to these conversations? I wanted to reflect on the current situation in my collection. Previously, in my Parsons MFA collection, I tried to symbolically express my experiences as a woman in Korean society and my attitude against prejudice and discrimination. Although this collection is more concentrated on my inner side, it still expresses a desire to counteract negative stereotypes about me. As a Korean, I grew up in a society that was not part of the fashion mainstream, and I’ve worked very hard to overcome the skeptical gazes of people around me — it’s an effort that continues even to this day. I hope that diversity will become more common in the fashion world, and that young designers who make new attempts to cross barriers of race and nationality will receive greater support in the mainstream.

Jisoo Baik

How would you introduce your graduate collection? My collection, titled ‘Personal Space’, mostly involves incorporating everyday objects that anybody can relate to in order to convey the idea of a safe space where you can be yourself. It was inspired by how individuals carry their possessions with them, each in their own way, when they walk on the street. How did you find developing and creating your graduate collection during the pandemic? The first time Paris went into lockdown, I was so panicked, I couldn’t imagine how I would develop my final collection without any fabrics and materials. The city was like a ghost town. But then I realised that I couldn’t just stop everything and worry. I just kept saying to myself, ‘I’m doing my best that I can.’ The new trials this brought were actually really freeing. Ironically, they’ve given the fashion world even greater freedom, allowing it to escape from the reliance on fashion shows, for example, something that seemed like it would never changed. How has the past year shaped your understanding of fashion’s purpose? Before I started my MA course, I was focused on finding my own voice and identity in my designs. I tried to challenge myself by using unfamiliar materials to making garments, digging deep inside myself to answer questions ‘Who am I?” and, “What do I like?”  Now, though, I’m more focused on responding to a customer’s needs, and thinking about how  I communicate with them. I’ve become much more careful about not getting stuck in my own world.

Johanna Imbach

 

How would you introduce your graduate collection? My graduate collection is a technical and creative exploration of knitwear. It is above all a collection that questions the perception of the spectator, proposing new experiences between garments and bodies. What are its central themes? I wanted to create an almost virtual vision, one of garments without any mass. My three-dimensional approach is above all a sculptural process. This allows me to create graphic and kinetic looks where the body and the garment become one, proposing a new anatomy. I wanted to present a womenswear collection that questions anatomy, perception and proportion; to question the female body and its relationship to clothing through allure and curves. Ultimately, I seek to redefine knitwear, to push it beyond the ideas that we have of knitting and its construction. How did you find developing and creating your graduate collection during the pandemic? The most difficult part of the past year has been living in uncertainty. Being a knitter, and being away from our materials and workspace, was a huge disadvantage, even though we all have domestic machines. We had to leave the workshops for 5 months, putting our minds, and our creativity, to a tough test. We also had to be understanding and responsive to government restrictions. It was a year that seemed insurmountable, but, now our collections have launched, it now feels like it passed quickly.”

Mathieu Goosse

How would you introduce your graduate collection? My collection, titled “I’d like to see you”, is like an image plane, a series of objects in suspension above reality. Short of breath, out of strength, stripped back to the bare essential. It revolves around the ideas of reducing, exhaustion, love, and fragility. I don’t work with mood boards of images, but with emotions, sensations, and objects that I craft and which act as starting points. What are its central themes? It’s about obsession: what fuels it, what brings it alive, and how it triggers our impulses to build and to destroy. I often work with materials I have right next to me, and I like to make them feel new and different. They are sanded, washed-out, and worn-down. There is a frailness in the razor-sharp precision of the handwork, and a roughness in the sensation of sanded silk, peeling python skin, the worn feeling of recycled denim. You’re graduating at a time when conversations around race, gender, sexuality and wider issues of identity have never been more prominent in fashion. How do you position your work with respect to these conversations? Through my choice to not work with ‘images’ and focus on the essence of elements from my personal point of view, I’m trying to build my garments as objects. Pure, detached and independent, they can speak to or touch everyone; they’re essential forms that can belong to anyone. As a menswear student, my collection was presented on boys in the show, but the garments are completely non-gendered. For me, the best way to discuss issues of diversity in my work is to reduce things to the point where they lose any socialised associations, while maintaining a strong presence. How has the past year shaped your understanding of fashion’s purpose? This year of isolation has shown me how fashion is necessary and how much it connects people. It always seems so far from everything — extreme, intense, arrogant, or from another world — but it’s so close to us all, and at all times. Garments are the first things we receive when we’re born, and we keep them with us until the end. They’re what hold us.”

Soyul Kim

How would you introduce your graduate collection? It’s about fierceness layered with softness; being playful in a cut-throat world. I was very much influenced by the inspiring women mentors I had when I started my career in NYC. When we think of ‘strong women’, we only think of their boldness. But you soon realise that they are who they are today because they were willing to fall, accept and learn from their experiences — just like a kid who’s willing to fall because they’ve learned how to pick themselves up again. And everybody has that inner kid, they’re just usually too busy ‘adulting’ through the world. What are its central themes? A central theme throughout my collection is the undeterred presence of a child living in an adult body. Using hard silhouettes like armour-shaped shoulders and hard materials like leather against soft fabrics and lace, or by crocheting structured metal thread into seemingly-fragile fabric, I wanted to express the coexistence of strength and vulnerability. There are also elements that blur the line of being a kid and being an adult, like Furby bags hanging from power suits, or a print with abstract shapes taken from Disney films. I see my collection as a balance of something rough and delicate, masculine and feminine, serious and playful – something adult-y, and youthful at the same time. You’re graduating at a time when conversations around race, gender, sexuality and wider issues of identity have never been more prominent in fashion. How do you position your work with respect to these conversations? I tend not to say it out loud, but I create to put feminine power on equal grounds with masculine power. It’s not about a competition between the genders, but rather about acknowledging underlying historical discrepancies, appreciating each other, and working towards the same goal of closing the gap. I hope to inspire other women and girls through my work – just as I have been inspired by the female mentors in life – that we should never settle for less, and that we should also not be intimidated by competition; rather, we should be inspired by it. It’s about embracing the authentic power of your inner female identity, and being true to what makes you feel comfortable.

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Adult Minnesotans rediscovered the comfort of snow pants, fashion be damned

Emily walpole

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Adult Minnesotans rediscovered the comfort of snow pants, fashion be damned

Brandt Williams of Minneapolis has spent 53 years in the Upper Midwest, but hadn’t worn snow pants since being zipped into a one-piece suit he described as “the iron maiden of clothing for children.”

Then one day last December, while shopping at Costco, Williams spotted a snow pants display. He bought a pair on a whim, thinking they’d be less hassle than adding and removing long underwear.

During the February cold snap, Williams wore his snow pants for daily walks, outdoor reporting assignments for his job with Minnesota Public Radio, or just sitting around a fire pit.

“Having this layer of protection makes you feel like you’ve somehow mastered the elements,” he said. “You have this feeling of invulnerability.”

While snowsuits and coveralls are a staple of ice fishing, snowmobiling and other outdoorsy pursuits, the pandemic has spurred more Minnesotans to join the cozy club of adults who wear the padded pants. They’re remembering childhoods spent sitting in snowbanks, undeterred by dampness or cold, and wondering why their adult selves hadn’t reembraced snow pants sooner.

For some, donning snow pants has been an act of self-care in a time when so many of the usual ways we treat ourselves — from happy hours to hitting the mall — have been curtailed.

And once they’ve crossed over to the warmer side of winter life, snow pants converts can’t stop talking about how great they are — fashion stigma be damned.

“Being warm is cool,” Williams said. “It doesn’t matter how you look. And plus, they’re not bad-looking pants.”

The snow pants gospel

For Luke LeBlanc, adopting snow pants improved his outdoor experience dramatically. The 25-year-old Minneapolis singer/songwriter admits that prior apathy about winter gear meant he was constantly underdressed; his heaviest coat was a windbreaker.

This year, anticipating he’d be spending more time outdoors, Le-Blanc invested in a big, puffy jacket and a pair of waterproof snow pants.

“I don’t mean to blow it out of proportion and say it’s life-changing, but you can go and do stuff outside and not be in pain the whole entire time,” he said.

He’s hesitated to wear his snow pants when he’d like to project some semblance of style, such as at a brewery patio. And while he showed up at the outdoor photo shoot for his new album wearing snow pants, he removed them before the camera started clicking. “But the grocery store — I don’t care who sees me in snow pants,” he said.

LeBlanc has also worn his new gear on walks, to an outdoor concert, deer hunting with his dad, and tinkering on his car.

“As naive as it sounds, I didn’t realize I could be outside when it’s 10 degrees and feel like I’m walking around inside,” he said.

Now, LeBlanc regularly extols the virtues of a warm lower half.

“I’ve been preaching the snow pants gospel, and we’ll see how many converts I get,” he said.

Fueling a ‘pantsdemic’

Among Minneapolis’ biggest snow pants evangelists is Charlie McCarron, organizer of an outdoor activity club he calls “Snowpantsdemic.”

This winter, McCarron busted out a pair of snow pants he hadn’t worn since high school (“a lot of my clothes are from high school, even though I’m in my 30s,” he admitted) and invited his friends to bimonthly outings, including snow kickball, sledding, and a game he invented that’s a sort of cross between boot hockey and golf. (McCarron dabbles in board-game design alongside his work as a composer.)

While McCarron has been using snow pants to inspire his friends to embrace their inner child, Hannah Aderinkomi bought her new snow pants simply to stay as warm as her kids.

In the past, when Aderinkomi took her young children sledding, she’d add a base layer beneath her pants. The last time she wore snow pants was grade school. “It’s almost like it didn’t occur to me to buy them for myself, even though I was buying them every year for my kids,” she said.

This season was different: If she was going to fully appreciate Minnesota winter, Aderinkomi wanted to be comfortable. So she ordered a pair of snow pants online and wore them on the family’s next trip to the sledding hill. Her husband, Thompson Aderinkomi, then decided to upgrade from double-layering pants to his own pair of snow pants. Since then, the couple have been as cozy as their kids every time the family has played outside or gone snowshoeing.

“I’m always cold, so the fact it took me so long is sort of fascinating — I’ve lived here my entire adult life,” Hannah Aderinkomi admitted.

In some ways, she said, buying snow pants was an unlikely form of pandemic self-care, not so different from the services that clients of her Minneapolis laser hair removal/skin-care business use to treat themselves. “Maybe adult snow pants were just something that I did for myself,” she said.

In any case, Aderinkomi is happy to have embraced a new era of outdoor warmth. “We built a snowman the other day and I think old Hannah would have done that, too, but this Hannah was a bit more comfortable,” she said.

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